{"id":38965,"date":"2021-12-11T09:00:20","date_gmt":"2021-12-11T09:00:20","guid":{"rendered":"https:\/\/jazairhope.org\/?p=38965"},"modified":"2021-12-12T10:51:35","modified_gmt":"2021-12-12T10:51:35","slug":"tribute-to-rachid-taha-in-egypt-rachid-tahas-song-ya-rayah-a-voice-for-immigrants","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/en\/tribute-to-rachid-taha-in-egypt-rachid-tahas-song-ya-rayah-a-voice-for-immigrants\/","title":{"rendered":"Tribute to Rachid Taha in Egypt – Rachid Taha\u2019s Song \u2018Ya Rayah\u2019: A Voice for Immigrants"},"content":{"rendered":"

Tribute to Rachid Taha in Egypt<\/h1>\n

Rachid Taha\u2019s Song \u2018Ya Rayah\u2019: A Voice for Immigrants<\/h1>\n
\n
Mirna Abdulaal<\/a> <\/span><\/address>\n<\/div>\n
\n
\n

Immigrants do not just travel with their bodies, but also with their hearts, minds and spirits. Everyday, it feels like they are trying to reach out to hold on to something real \u2013 to hold onto a piece of land that is not fictional or imaginary, but grounds them and pulls them into the vibrations of life.<\/p>\n

It\u2019s true that not everyone has the same experience, but it\u2019s also a fact that many still do silently \u2013 without anyone or anything to ever hold onto. They remain trapped in foreign lands as though they\u2019ve made a pact with the devil: they can either stay while feeling foreign or go back and still feel hungry for opportunities.<\/p>\n

While immigration has existed for centuries, it has always been redefined for generations that have lived the aftermaths of new historical events, such as colonialism, wars and globalization. An Arabic song that continues to redefine the meaning of immigration is the Algerian cha\u00e2bi classic, \u2018Ya Rayah\u2019, which was originally released by Amrani Abderrahmane in 1973, and then was later brought to life to a new generation of North Africans and Arabs in the 1990s by Algerian singer Rachid Taha.<\/p>\n

Whenever I think of Rachid Taha, I remember quite clearly the first time I heard of him. My father and I were sitting in a coffee shop during a holiday in Egypt many years ago, and then the song \u2018Abdel Kader\u2019 by the trio Cheb Khaled, Rachid Taha and Faudel started playing, followed by the iconic song \u2018Aicha\u2019 by Cheb Khaled. The music seemed inherently nostalgic even though I didn\u2019t recognize or remember it at first, but what made me instantly connect to it is the interesting fusion of different languages, modern beats and instruments.<\/p>\n

It sounded like nothing of the Arabic music I usually heard my family listen to. Instead, and for the first time, it sounded like Arabic music that my generation would listen to. For a North African and Arab generation that witnessed globalization and immigration or constant travel, I never came across music from our region that truly provided a voice, a language, and an expression for our identity and experiences.<\/p>\n

After searching through their discography to find more music, the most interesting one I found was Rachid Taha\u2019s collection. I remember seeing articles on the Internet with titles, \u2018Algerian Roots, American Rock n\u2019 Roll\u2019, next to an image of Taha that mirrored an \u2018edgy American look\u2019. \u201cHe sings in Arabic, but his music is as apt to channel The Rolling Stones or The Ramones as any other source,\u201d the article read.<\/p>\n

He was always branded as an artist that \u2018mixes\u2019 or merges two different worlds together \u2013 producing a mashed up version of one form of music or genre. He is an artist with \u2018Algerian roots\u2019, but with an \u2018American style\u2019. His identity was never really explored at a deeper level, and his Algerian roots were mentioned as though it was merely a stamp on an envelope.<\/p>\n

Yet when I listened to more of his music, I never felt any of that. I didn\u2019t feel the mixedness, the twists or the distortedness. I didn\u2019t feel that he was trying to imitate an American style, or even borrow from any kind of foreign style.<\/p>\n

While people always branded him as a \u2018borrower\u2019 of others\u2019 cultures, as someone who simply imitates an \u2018American\u2019 or \u2018European\u2019 sound, I saw him as a unified whole. I listened to his songs as though I was listening to my own cultural music for the very first time. It transcended the stereotypes I held of any nation and simply brought to me an expression of a human experience \u2013 of immigration, travel, and finding home.<\/p>\n

There can be many different interpretations to the song \u2018Ya Rayah\u2019, and while others may not understand it completely, I immediately understood it when I first listened to it. For our generation, I don\u2019t think Taha was speaking to immigrants who had to leave their countries due to exclusion or force, but he was also speaking to those who are striving to escape their own homeland to find \u2018a better home\u2019 \u2013 a better life.<\/p>\n

From afar, the world can look as though it is collectively ours \u2013 that it is a home for all of us and that we have every freedom, and every right to travel to any continent or any place and call it home. Yet when we look deeper, and actually travel to these places, we are reminded that the world was never ours \u2013 as humans- to begin with. It was with governments, with leaders, with groups and parties and institutions that do not welcome everyone equally and fairly.<\/p>\n

We are reminded that \u2018selling\u2019 ourselves to these institutions is a kiss of death; a contract you sign with a devil in exchange for material gain. But as Taha sings in the song, what is truly in our interest before we sell or buy? How much disappointment, hurt and pain are we willing to experience in exchange for more money? Or did we simply compare the empty deserts of our homeland with the skyscrapers of other more developed countries?<\/p>\n

But it is society\u2019s fault before it is the immigrant\u2019s fault, as the song explains. Wherever we turn, and wherever we go, it was never the society that welcomed us, but it was the illusion we created in order to continue living and surviving.<\/p>\n

Ya Rayah\u2019s Translation:<\/span><\/em><\/p>\n

Oh traveler, where are you traveling to?<\/p>\n

Haven\u2019t you noticed how the poor people have regretted this decision before you and I did?<\/p>\n

How society failed, before you and me<\/p>\n

Or did you just compare the empty desert of your home country with developed places?<\/p>\n

How much time did you waste, and how much are you still wasting?<\/p>\n

Oh traveler who lives in other people\u2019s land, you\u2019re troubling yourself, and you\u2019ll get exhausted<\/p>\n

Do you have a strong will, or you just don\u2019t know?<\/p>\n

Oh traveler, where are you traveling to?<\/p>\n

Haven\u2019t you noticed how the poor people have regretted this decision before you and I did?<\/p>\n

Why is your heart so sad? Why is that? Or is it because this is the only choice for the poor?<\/p>\n

Your patience probably won\u2019t last, and if you spend more time(abroad)and discovered that, write me(a letter)<\/p>\n

Days do not last, and my youth and yours won\u2019t last, too<\/p>\n

Poor is the person who was disappointed, like he\/she lost in throwing a dice and was not lucky.<\/p>\n

Oh traveler, where are you traveling to?<\/p>\n

Haven\u2019t you noticed how the poor people have regretted this decision before you and I did?<\/p>\n

Oh traveler, I\u2019ll give you an advice, take it quickly,<\/p>\n

See what is good for you before you buy and sell<\/p>\n

Oh you (foolish) sleeper I was told what has happened to you,what happened to has happened to me before<\/p>\n

That was the will of God, praise be to Him.<\/p>\n

Source : <\/span>https:\/\/egyptianstreets.com\/2021\/10\/28\/rachid-tahas-song-ya-rayah-a-voice-for-immigrants\/<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Tribute to Rachid Taha in Egypt Rachid Taha\u2019s Song \u2018Ya Rayah\u2019: A Voice for Immigrants Mirna Abdulaal Immigrants do not just travel…<\/p>\n","protected":false},"author":1,"featured_media":38967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[10,14],"tags":[],"class_list":["post-38965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-historyheritage"],"yoast_head":"\nTribute to Rachid Taha in Egypt - Rachid Taha\u2019s Song \u2018Ya Rayah\u2019: A Voice for Immigrants - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/en\/tribute-to-rachid-taha-in-egypt-rachid-tahas-song-ya-rayah-a-voice-for-immigrants\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tribute to Rachid Taha in Egypt - 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