{"id":68103,"date":"2023-01-16T18:00:45","date_gmt":"2023-01-16T17:00:45","guid":{"rendered":"https:\/\/jazairhope.org\/?p=68103"},"modified":"2023-01-16T19:16:46","modified_gmt":"2023-01-16T18:16:46","slug":"sabrina-bellaouel-present-continuous","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/en\/sabrina-bellaouel-present-continuous\/","title":{"rendered":"Sabrina Bellaouel: Present Continuous"},"content":{"rendered":"
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Source : https:\/\/crackmagazine.net\/article\/profiles\/sabrina-bellaouel-present-continuous\/<\/a><\/p>\n

16.01.23
\nWords by:\u00a0Rhian Daly<\/a>
\nPhotography: Freddie Stisted
\nStyling: Nathan Henry
\nMovement direction: Angelica Wolanska
\nMakeup: Megumi Matsuno
\nHair: Karla Qui\u00f1onez Le\u00f3n
\nNails: Karen Louise Nails
\nPhotography assistants: Massimo Filippi, Finn Waring
\nStyling assistant: Rachel Alison
\nRetouching: Justine Foord
\nStudio: Blundell Studios<\/p>\n<\/div>\n

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As the world ushers in a fresh start, Sabrina Bellaouel is already one step ahead.<\/p>\n

The French-Algerian musician has already done the work of letting go of the things and people that no longer serve her \u2013 a choice governed not by a calendar but by her own intuition \u2013 choosing to move forward with a completely clean slate. It\u2019s an act of renewal that is reflected in her debut album,\u00a0Al Hadr<\/em>: a collection of songs, written across her decade-long journey through her artistic practice, ready to be set free.<\/p>\n

\u201cRight now, it\u2019s divine timing,\u201d Bellaouel says, warmly, from her home in Bagneux, a commune in the southern suburbs of Paris. \u201c[These songs] really represent me right now \u2013 that\u2019s why it\u2019s called\u00a0Al Hadr<\/em>, which means \u2018the present time\u2019 [in Arabic].\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Full look:\u00a0Burberry<\/p>\n<\/div>\n<\/div>\n

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As is so often the case, a lot of preparation has led up to this moment. After cutting her teeth on early collaborations with artists like Parisian hip-hop duo The Hop and French rapper Jazzy Bazz, Bellaouel graduated to releasing her own singles \u2013 from the smooth soul of\u00a0J\u2019essaie<\/em>\u00a0to the airy R&B of\u00a0Until We Have It All<\/em>\u00a0\u2013 and signed with respected French label InFin\u00e9 in 2020. Since then, she\u2019s shared two beguiling EPs in 2020\u2019s\u00a0We Don\u2019t Need to Be Enemies<\/em>\u00a0and\u00a0Libra<\/em>, projects that showcase her ability to bring sultry R&B warmth to experimental electronics.<\/p>\n

Now, the 34-year-old feels like she\u2019s \u201con the verge of something big that I cannot control\u201d. What exactly that means is still a mystery, even to her, but she\u2019s been preparing for the moment by doing an emotional spring clean. \u201cI\u2019ve decided to close all these doors, in terms of emotions, which are crystallised in this album,\u201d she explains gently, as she mimes pushing those unwanted feelings out of her body. \u201cA lot of the work has been [done], so now I\u2019m attracting new opportunities and people that are refreshing my being.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Dress:\u00a0Joshua James Small, Headpiece:\u00a0Slim\u00a0Barrett<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Bellaouel might not be in control of whatever comes her way, but using\u00a0Al Hadr<\/em>\u00a0as a reset was an intentional move post-pandemic. Although she caveats that it has nothing to do with the passage of time, Bellaouel cites having \u201cgrown as a woman\u201d as her motivation for taking stock of her life. What she concluded from that exercise, she explains, was that \u201cwhether it was material [things] or people, all the energy needed to be fresh\u201d.<\/p>\n

So\u00a0Al Hadr<\/em>\u00a0became a mantra. It functioned to energise her creative practice, but also helped her move through feelings of isolation as everyone returned to work or school as restrictions eased. \u201cBecause I\u2019m making music in my own home, I don\u2019t have a nine-to-five schedule,\u201d she explains. \u201cI was feeling left out in the cold \u2013 I had to be an adult and re-parent myself.\u201d That parental inner voice implored her to live her life to the fullest, to stop comparing herself to others, and to not let herself get weighed down by nostalgia or the unknowable future. \u201cAl Hadr<\/em>\u00a0is a magic world, it\u2019s like \u2018hakuna matata\u2019,\u201d she says. \u201cIt\u2019s a healing mantra that really helped me to reconnect with my body and the world.\u201d<\/p>\n

Whenever Bellaouel works on a song, she puts faith in her body to guide her, feeling for how it responds and moves to the sounds she is creating. \u201cIt could be when I\u2019m in my car listening to [my music], at the beach, or with bae in bed,\u201d she laughs. \u201cBut how I want my body to move to the music influences [my writing process] a lot.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u201cWe are responsible for creating our society and I want to be part of building a new way of thinking\u201d<\/p><\/blockquote>\n<\/div>\n

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This intentional physicality is felt in the chest-rattling bass of album highlight\u00a0Rapture<\/em>\u00a0or the waist-winding trap of\u00a0Shop<\/em>. But at the centre of\u00a0Al Hadr<\/em>\u00a0lies\u00a0Kesh<\/em>, a gentle, drifting track that incorporates a poem recited by Parisian DJ and producer Crystallmess. It feels like an extension of the album title\u2019s statement, as Crystallmess\u2019 determined voice reminds us that it\u2019s \u201ctime for the knowledge of self [\u2026] to speak your wish, to no longer erase yourself<\/em>\u201d. When Bellaouel first heard the words \u2013 via a video of Crystallmess performing the poem on her Instagram story \u2013 she was struck by how it summed up the emotional core of her own record. \u201cIt has this very humble message that I found super powerful,\u201d she says. \u201cIt reminds us to look within, find your magic, find your power, and how you can be wiser.\u201d

Crystallmess is the focal point of\u00a0Kesh<\/em>, but beneath her motivating words that nod to Allah and allowing self-love, choral whispers collide with discordant synths and drones. It\u2019s a striking portrait of liberation \u2013 from self-doubt, uncertainty and the limitations of genre. But despite the poem urging listeners to \u201cfind your power\u201d, it took Bellaouel a minute to reach out to Crystallmess. \u201cI just didn\u2019t believe in myself at that time,\u201d she says, sheepishly. Once she got over her fear, however, she sent over an atmospheric, twinkling backing track and, to her delight, it won Crystallmess\u2019 heart. \u201cShe felt connected to all the textures and vocals, and it was magic,\u201d Bellaouel beams. \u201c[Crystallmess] came to the studio and did it on the first take \u2013 she interpreted it with so much power and confidence.\u201d\u00a0

Kesh<\/em>\u00a0also touches on another vital topic in Bellaouel\u2019s life: religion, faith and spirituality. At home, she says God is spoken about frequently with her Muslim family, but to do so anywhere else in France is considered \u201cweird\u201d. That\u2019s why, on the trilingual\u00a0Al Hadr<\/em>\u00a0(recorded in Arabic, French and English), the slinky, hushed avant-R&B of\u00a0Jah<\/em>\u00a0\u201chad\u201d to be sung in French. \u201cIts hook means \u2018I\u2019m never scared to be alone\u2019 and it felt like a big statement to make in the French language because I\u2019m talking about my relationship to God,\u201d she reasons. \u201cI hope it\u2019s going to be played in the clubs, because we don\u2019t really talk about God [there].\u201d For Bellaouel, faith is a \u201ccompass\u201d guiding her through life\u2019s complicated web of decisions and actions. \u201cWhen I think about [my faith], I\u2019m just full of gratitude,\u201d she smiles. \u201cIt keeps my heart beating, legs running and brain working.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Dress:\u00a0Aries, Coat:\u00a0Nicholas Oakwell Couture, Earrings:\u00a0Slim Barrett<\/p>\n<\/div>\n<\/div>\n

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The divine creations of the natural world also bear great influence on\u00a0Al Hadr<\/em>. On the club-ready, hypnotic stutter of\u00a0Eclipse<\/em>, she sings, \u201cnever be the same when the eclipse is gone<\/em>\u201d, a line inspired by a lifetime spent stargazing. This past April, Bellaouel was in The Hague, Netherlands, when a \u201ccrazy lunar eclipse\u201d took over the sky. \u201cI believe this lunar eclipse was in Scorpio, and Scorpio rules death, so it was really powerful,\u201d she recalls, eyes illuminating. \u201cI decided to go on a ride to the beach, start a fire and do something to relieve my emotions.\u201d She wrote a letter to an old version of herself and burned it on the sand as the moon shone down on her. \u201cI was speechless. Endings are beginnings, so really, it was a rebirth.\u201d<\/p>\n

The concept of new beginnings is fundamental to Bellaouel\u2019s art. She uses the phrase \u201cbuild a bridge\u201d often in our conversation, whether talking about merging the French and Berber cultures she grew up with, teaming up with the collaborators on her record, or bringing together seemingly disparate musical styles. The latter, in particular, propelled her to study ethnomusicology at Goldsmiths University in London in 2013 \u2013 a discipline she discovered through the work of French musical theorist Gilbert Rouget.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Dress:\u00a0Erdem,\u00a0Jewellery:\u00a0Slim Barett<\/p>\n<\/div>\n<\/div>\n

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\u201cHe wrote a book called\u00a0Music and Trance<\/em>\u00a0that inspired me to study ethnomusicology \u2013 I discovered that book before I knew it was even a subject,\u201d she says, her voice fizzing with passion. \u201cHe studies different cultures and traditions and writes about the relationship between music and possession. It\u2019s about body rhythms and the repetition of those rhythms that put you into an outer state of consciousness.\u201d Studying Rouget\u2019s work helped push her into creating more of her own rhythmic repetitions, with the aim to create her own trances. \u201c[It taught me that] you can make music and it be sacred, or talk about God and still be vibing.\u201d The course also helped her realise that there are differing cultures, traditions and religions that could be brought together through music. \u201cI feel like there are more bridges to be built \u2013 sometimes it\u2019s easy, sometimes it\u2019s not.\u201d<\/p>\n

Trust,<\/em>\u00a0the clubby, chopped-up R&B track that appears towards the end of\u00a0Al Hadr<\/em>, reflects this embrace of cultures. Inspired by the character of Princess Jasmine from\u00a0Aladdin<\/em>\u00a0and her own mother\u2019s free-thinking attitude, Bellaouel felt seen in her struggle with fitting into traditions. In her family, custom has always informed the way everyone moves through the world \u2013 whether Bellaouel agreed with it or not. \u201c[My mother] couldn\u2019t choose a lot of things in her life and I believe that I\u2019m here to bring [about] a new way of seeing Arabic and Berber women,\u201d she asserts. \u201cIt\u2019s very important for me to respect Muslim traditions and the way [Muslim] people are seen, but to also live in the new age. We are responsible for creating our society and I want to be part of building a new way of thinking.\u201d That sense of freedom is emphasised in\u00a0Trust<\/em>\u2019s life-affirming lyrics, where Bellaouel defiantly declares: \u201cI believe it\u2019s me who\u2019s rising\/ I do it for the mission now.<\/em>\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Source : https:\/\/crackmagazine.net\/article\/profiles\/sabrina-bellaouel-present-continuous\/ 16.01.23 Words by:\u00a0Rhian Daly Photography: Freddie Stisted Styling: Nathan Henry Movement direction: Angelica Wolanska Makeup: Megumi Matsuno Hair: Karla…<\/p>\n","protected":false},"author":50,"featured_media":68105,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[10,4],"tags":[],"class_list":["post-68103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-featured-articles"],"yoast_head":"\nSabrina Bellaouel: Present Continuous - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/en\/sabrina-bellaouel-present-continuous\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sabrina Bellaouel: Present Continuous - 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