{"id":96894,"date":"2024-01-09T10:16:33","date_gmt":"2024-01-09T09:16:33","guid":{"rendered":"https:\/\/jazairhope.org\/?p=96894"},"modified":"2024-01-09T10:16:33","modified_gmt":"2024-01-09T09:16:33","slug":"what-frantz-fanon-and-ian-fleming-agreed-on","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/en\/what-frantz-fanon-and-ian-fleming-agreed-on\/","title":{"rendered":"What Frantz Fanon and Ian Fleming Agreed On"},"content":{"rendered":"<div class=\"ArticlePageLedeBackground-EufvU ittFsh\">\n<header class=\"SplitScreenContentHeaderWrapper-bFxPWy kXwKEW content-header article__content-header\" data-testid=\"SplitScreenContentHeaderWrapper\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;ContentHeader&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;ContentHeader&quot;}\" data-include-experiments=\"true\">\n<div class=\"GridWrapper-cAzTTK eRggVV grid grid-margins grid-items-0 SplitScreenContentHeaderGrid-kFpOdh fLkIyA\">\n<div class=\"GridItem-buujkM kHPPIF grid--item\">\n<div class=\"CaptionWrapper-jSZdqE iTuhkZ caption SplitScreenContentHeaderCaption-iOfEOv ckLUKG\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;Caption&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;Caption&quot;}\" data-include-experiments=\"true\">\n<h4 class=\"BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplitScreenContentHeaderDek-emptdL iUEiRd wOnsu dJrDEb\">From opposite directions, the revolutionary intellectual and the creator of James Bond saw violence as essential\u2014psychologically and strategically\u2014to solving the crisis of colonialism.<\/h4>\n<div class=\"BylinesWrapper-KIudk irTIfE bylines SplitScreenContentHeaderByline-kvEhqE ejWxsm\" data-testid=\"BylinesWrapper\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<div class=\"ArticlePageContentBackGround-cNiFNN kbAoLA article-body__content\" data-attribute-verso-pattern=\"article-body\">\n<div class=\"ActionBarWrapperContent-lasBkU fupoAW\">\n<div class=\"ActionBarWrapperComponent-cjwxLS bEeSLb\">\n<div class=\"ActionBarWrapper-dhxmQh hDHofQ viewport-monitor-anchor\" data-attr-viewport-monitor=\"\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;ActionBar&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;ActionBar&quot;}\" data-include-experiments=\"true\"><\/div>\n<\/div>\n<\/div>\n<div class=\"LightboxWrapper-dxsWBV hhylRt\">\n<div class=\"ArticlePageChunksContent-etcMtP bwyLBj\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;ChunkedArticleContent&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;ChunkedArticleContent&quot;}\" data-include-experiments=\"true\">\n<div class=\"ArticlePageChunks-fLyCVG Uozmo\" data-testid=\"ArticlePageChunks\">\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"has-dropcap has-dropcap__lead-standard-heading\">More than fifty years later, Zohra Drif could still picture the Milk Bar in Algiers on September 30, 1956. It was white and shining, she recalled, awash in laughter, young voices, \u201csummer colors, the smell of pastries, and even the distant twittering of birds.\u201d Drif, a well-coiffed law student in a stylish lavender dress, ordered a peach-Melba ice cream and wedged her beach bag against the counter. She paid, tipped, and left without her bag. The bomb inside it exploded soon afterward.<\/p>\n<p class=\"paywall\">Looking back, Drif felt little regret about the three who died and the twelve\u2014including children\u2014who lost limbs from her bomb and from a second that detonated in another caf\u00e9 minutes later. The European caf\u00e9goers weren\u2019t civilians, in her view, but colonizers. Their \u201coffensive carefree attitudes\u201d made a painful contrast to those of the eighty thousand Muslims, herself included, penned by barbed wire and checkpoints within what she described as the \u201copen-air prison\u201d of Algiers\u2019s Casbah. The month before, European settlers had bombed an apartment building in the Casbah, killing seventy.<\/p>\n<p class=\"paywall\">Algerians had been waging an independence war for nearly two years, and the French had been fighting back fiercely, including with widespread torture and indiscriminate killings. The September\u00a030th bombings, however, marked what Drif called a \u201cturning point,\u201d bringing the war \u201cto the heart of the enemy districts.\u201d Yet even the Communist who had built the rebels\u2019 explosives laboratory balked at bombing crowded public places. The philosopher\u00a0<a href=\"https:\/\/www.newyorker.com\/magazine\/2012\/04\/09\/facing-history\">Albert Camus<\/a>, an Algerian-born Frenchman, sympathized with the Algerians but could no longer support them. Their attacks, he noted, might kill his mother: \u201cIf\u00a0<em>that<\/em>\u00a0is justice, then I prefer my mother.\u201d<\/p>\n<p class=\"paywall\">Nearly the only French writer to defend the bombs was the Martinican psychiatrist Frantz Fanon, who directed a hospital near Algiers. Attacks on civilians were the \u201clogical consequence\u201d of France\u2019s \u201csystematic dehumanization\u201d of Algerians, he argued. Fanon had already been secretly aiding the rebels, but shortly after the Milk Bar bombing he resigned his post and joined them. The authorities raided his hospital, killed one of his co-workers, and threw the battered body of another into a pigsty for the hogs to devour. (That man survived, barely.)<\/p>\n<p class=\"paywall\">Fanon did not back down. He became, his biographer David Macey wrote, the \u201cmost famous spokesman\u201d of Third Worldism and a staunch defender of anticolonial violence. \u201cEvery Frenchman in Algeria is at the present time an enemy soldier,\u201d Fanon insisted. Killing French people wasn\u2019t only tactically necessary and morally justified; it was therapeutic. In his view, violence was a \u201ccleansing force\u201d (\u201c<em>la violence d\u00e9sintoxique<\/em>\u201d) that \u201crids the colonized of their inferiority complex.\u201d<\/p>\n<div class=\"inline-recirc-wrapper inline-recirc-observer-target-1 viewport-monitor-anchor\" data-attr-viewport-monitor=\"inline-recirc\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-include-experiments=\"true\"><\/div>\n<p class=\"paywall\">Perhaps it could even induce one in the colonizers. A month after the Milk Bar bombing, France joined Britain and Israel in an invasion of Egypt. The aim was to reverse Egypt\u2019s nationalization of the Suez Canal but also, Fanon wrote, \u201cto strike the Algerian revolution,\u201d given Egypt\u2019s support for the rebels. Either way, it was a fiasco. The United States made the invaders retreat\u2014a shattering humiliation for the formerly supreme British Empire. The British Prime Minister Anthony Eden, already frazzled and taking amphetamines, had a nervous breakdown.<\/p>\n<p class=\"paywall\">Eden fled to Jamaica, a calmer corner of the Empire, where he could sunbathe, swim, and paddle a rubber boat around a reef. \u201cI do not think there is any other place anywhere that could have given me the rest I had to have,\u201d Eden wrote to his host. That host, the author\u00a0<a href=\"https:\/\/www.newyorker.com\/books\/double-take\/lunch-with-ian-fleming\">Ian Fleming<\/a>, knew Jamaica\u2019s restorative power, too. It was at his estate there, Goldeneye, that he wrote all of his James Bond novels.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridItem-buujkM fVLMby grid--item grid-layout__aside\">\n<aside class=\"PersistentAsideWrapper-deVGrR daRVRt persistent-aside\" data-testid=\"PersistentAsideWrapper\">\n<div class=\"StickyBoxWrapper-jfYBuk jxBcTH sticky-box\">\n<div class=\"StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary\">\n<div class=\"AdWrapper-dQtivb fZrssQ ad ad--rail\">\n<div class=\"ad__slot ad__slot--rail\" data-node-id=\"3zb9s\">\n<div id=\"cns-ads-slot-type-rail-0\" class=\"cns-ads-stage cns-ads-slot-type-rail cns-ads-slot-type-rail-0 cns-ads-slot-state-filled cns-ads-slot-size-300x600\" data-name=\"rail_0\" data-slot-type=\"rail\">\n<div id=\"rail_0\" class=\"cns-ads-container\" data-node-id=\"3zb9s\" data-google-query-id=\"CO_7os_6z4MDFftCHQkdW_8D8w\">\n<div id=\"google_ads_iframe_3379\/conde.newyorker\/rail\/magazine\/article\/1_0__container__\">Just as Algiers shone a spotlight on Fanon, Suez shone one on Fleming. His first four Bond books had not had spectacular sales, and Fleming considered killing off the character. But the headlines brought attention to Fleming\u2019s hero, who compared favorably with his nervous wreck of a house guest. Here was a man who, faced with Britain\u2019s imperial collapse, did not cower but dashed around the world with a dinner jacket and a pistol. Eden\u2019s fall was Bond\u2019s rise, and Fleming became a celebrity\u2014the \u201coldest Beatle,\u201d his irritated wife, Ann, later called him.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<\/div>\n<\/div>\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"paywall\">Fleming\u2019s fame is undimmed, in large part owing to the twenty-seven\u00a0<a href=\"https:\/\/www.newyorker.com\/tag\/james-bond\">James Bond<\/a>\u00a0films. Fanon lives on, too, as a mainstay of the college syllabus and the rebel\u2019s bookshelf. Today, they are probably the most enduring authors on decolonization, Fanon for and Fleming against.<\/p>\n<p class=\"paywall\">The pair never met, and they would have hated each other. Yet, as important new biographies reveal, they had much in common. Adam Shatz\u2019s \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/Rebels-Clinic-Revolutionary-Lives-Frantz\/dp\/0374176426\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/Rebels-Clinic-Revolutionary-Lives-Frantz\/dp\/0374176426\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/Rebels-Clinic-Revolutionary-Lives-Frantz\/dp\/0374176426\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/Rebels-Clinic-Revolutionary-Lives-Frantz\/dp\/0374176426\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"0\" data-ml=\"true\" data-xid=\"fr1704791275659gde\">The Rebel\u2019s Clinic<\/a>\u201d (Farrar, Straus &amp; Giroux) and Nicholas Shakespeare\u2019s \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/Ian-Fleming-Complete-Nicholas-Shakespeare\/dp\/0063012243\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/Ian-Fleming-Complete-Nicholas-Shakespeare\/dp\/0063012243\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/Ian-Fleming-Complete-Nicholas-Shakespeare\/dp\/0063012243\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/Ian-Fleming-Complete-Nicholas-Shakespeare\/dp\/0063012243\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"1\" data-ml=\"true\" data-xid=\"fr1704791275659bcf\">Ian Fleming<\/a>\u201d (recently published in the U.K. and forthcoming in the U.S. from Harper) present two Caribbean-connected authors who became entangled in espionage. They saw the end of empire as a wrenching psychological event. Healing its wounds, both believed, would require violence.<\/p>\n<p class=\"has-dropcap has-dropcap__lead-standard-heading paywall\">That Ian Fleming should have thought about decolonization at all was surprising. A champagne cork bobbing along on the sea of life, he did not initially seem overburdened with profundity. Fleming\u2019s grandfather was a wealthy financier\u2014Shakespeare compares him to Logan Roy, from\u00a0<a href=\"https:\/\/www.newyorker.com\/tag\/succession\">HBO\u2019s \u201cSuccession\u201d<\/a>\u2014and Ian suffered the symptoms of affluenza. \u201cEveryone felt that he was just a rich, rather bored, rather aloof young man,\u201d a contemporary recalled. Fine things and heedless women dropped easily into Fleming\u2019s outstretched arms.<\/p>\n<p class=\"paywall\">Too easily, perhaps. Fleming, who was born in 1908, drifted through Eton and the Royal Military College, bastions of the British \u00e9lite, without earning diplomas. He seemed far less impressive than his father, Val, who died a hero\u2019s death in the First World War, or his older brother, Peter, a gifted writer. His mother sent the aimless youth to a chalet in the Austrian Alps which served as a combination university and sanatorium.<\/p>\n<p class=\"paywall\">Fleming\u2019s tutors there, Ernan Forbes Dennis and Phyllis Bottome, were devotees of Alfred Adler, the Viennese psychotherapist. Adler had coined the term \u201cinferiority complex\u201d and placed great importance on birth order. Ian, overshadowed by his brother, seemed a textbook case. Dennis and Bottome treated him as a laboratory subject for Adlerian therapy, with Adler helping from afar. Without this intervention, his psychiatrist felt, Fleming would have become a psychopath. With it, he was still a rake, but a well-read, stable one. (Fleming gratefully inserted an Adler reference into a Bond novel.)<\/p>\n<p class=\"paywall\">After faring poorly on the Foreign Service exam, Fleming tried journalism, then finance (he ranked \u201camong the world\u2019s worst stockbrokers,\u201d a friend said). Nothing in these endeavors suggested military greatness, but in 1939 Britain\u2019s Director of Naval Intelligence, John Henry Godfrey, tapped Fleming to be his assistant. This odd choice, Shakespeare explains, had Adlerian grounds. Godfrey also had a towering older brother, and his resentment of that \u201ctyranny,\u201d as Godfrey called it, drew him to the underqualified Fleming.<\/p>\n<div class=\"inline-recirc-wrapper inline-recirc-observer-target-2 viewport-monitor-anchor\" data-attr-viewport-monitor=\"inline-recirc\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-include-experiments=\"true\"><\/div>\n<p class=\"paywall\">The usual thing to say about Fleming\u2019s intelligence work is that he was a deskbound underling\u2014a \u201cmicroscopic but perky cog,\u201d the writer Simon Winder called him\u2014who turned his daydreams into spy novels. But Shakespeare presents evidence of Fleming\u2019s centrality. \u201cI shared\u00a0<em>all<\/em>\u00a0secrets with him,\u201d Godfrey explained, so that if Godfrey were \u201cknocked out\u201d his subordinate could step up. One officer felt that it was Fleming, not Godfrey, who effectively directed naval intelligence for most of the Second World War. If Fleming wasn\u2019t Bond, he bore some resemblance to Bond\u2019s chief, the spymaster M.<\/p>\n<p class=\"paywall\">Shakespeare\u2019s most striking claim is that Fleming helped to found the United States\u2019 Office of Strategic Services, the precursor to the\u00a0<a href=\"https:\/\/www.newyorker.com\/magazine\/2022\/10\/10\/has-the-cia-done-more-harm-than-good\">Central Intelligence Agency<\/a>. When the war started, U.S. intelligence capabilities were feeble, so Britain sent Fleming over. He stayed for two months in Georgetown, often with William\u00a0J. Donovan, the future O.S.S. director, outlining the British system and making suggestions. In fact, Fleming claimed to have written the original O.S.S. charter with Donovan.<\/p>\n<p class=\"paywall\">The war also took Fleming to the Caribbean. When it was over, he declared, he would \u201cjust live in Jamaica and lap it up.\u201d Fleming bought a beachfront estate (Goldeneye), hired servants (they addressed him as Commander), and took a mistress (\u201cIan\u2019s black wife,\u201d Ann called her, though she was neither). He stayed there every winter, relishing the \u201cunbounded drink\u201d and the \u201cinfinite cigars rolled on Jamaican thighs.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"paywall\">\u201cWould these books have been born if I had not been living in the gorgeous vacuum of a Jamaican holiday?\u201d Fleming later wrote. \u201cI doubt it.\u201d He dreamed up Bond while swimming at Goldeneye, in 1952, and wrote the Bond books there, one per winter. Four of the fourteen feature Jamaican settings, and two more send Bond to nearby Nassau and Miami. In the first novel, \u201cCasino Royale,\u201d Bond arrives at the eponymous French casino posing as a \u201cJamaican plantocrat\u201d and scans his surroundings through West Indian eyes: a card player\u2019s hands are \u201ctwo pink crabs,\u201d the table\u2019s baize is a \u201cgreen lagoon,\u201d and Bond\u2019s enemy, Le Chiffre, watches him \u201clike an octopus under a rock.\u201d<\/p>\n<p class=\"paywall\">Despite his Caribbean ties, Fleming remained, to use Fanon\u2019s phrase, \u201csealed in his whiteness.\u201d His novels teem with outrageous stereotypes: Blacks are \u201capes,\u201d Koreans are \u201clower than apes,\u201d and the Japanese are a barely civilized \u201cseparate human species.\u201d The thought of such people coming into their own was, for Fleming, alarming. The great powers will \u201creap the father and mother of a whirlwind by quote liberating unquote the colonial peoples,\u201d one of Bond\u2019s allies warns. \u201cGive \u2019em a thousand years, yes. But give \u2019em ten, no. You\u2019re only taking away their blow-pipes and giving them machine guns.\u201d<\/p>\n<p class=\"paywall\">It\u2019s a fear that haunts Fleming\u2019s novels. Supervillains of complex hues menace the world from breakaway spaces: islands, large ships, secret fortresses, newly independent countries. \u201cMister Bond, power is sovereignty,\u201d Doctor No, a half-Chinese criminal with a Caribbean island, explains. It falls to Bond to restore No\u2019s island to British rule.<\/p>\n<p class=\"paywall\">This was imperialist escapism, and the more territory Britain lost the more Fleming\u2019s sales grew. But Fleming struggled, amid success, to stay upbeat. In the final Bond novel, \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/man-golden-gun-Ian-Fleming\/dp\/1980227209\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/man-golden-gun-Ian-Fleming\/dp\/1980227209\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/man-golden-gun-Ian-Fleming\/dp\/1980227209\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/man-golden-gun-Ian-Fleming\/dp\/1980227209\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"2\" data-ml=\"true\" data-xid=\"fr1704791275659cfb\">The Man with the Golden Gun<\/a>\u201d (1965), written in the wake of Jamaican independence, the villains allude to a looming \u201cbig black uprising,\u201d which Bond does nothing to forestall. He kills a Rastafarian (\u201cHe smelled quite horrible\u201d) and forces some Jamaican women to dance naked. Yet he ends the book hospitalized, recovering from poison and, like Eden, \u201cacute nervous exhaustion.\u201d<\/p>\n<p class=\"has-dropcap has-dropcap__lead-standard-heading paywall\">By all rights, it was the diligent Frantz Fanon, not the dissolute Ian Fleming, who should have passed easily through life\u2019s open doors. Fanon followed the rules assiduously. Was Martinique French? Then so was he. \u201c<em>Je suis fran\u00e7ais<\/em>\u201d were the first words Fanon could write, and his French was exquisite. He had both African and European forebears (hence the name Frantz, apparently a nod to his Germanic heritage), but, when he watched \u201cTarzan,\u201d he identified with Tarzan, not the Africans.<\/p>\n<p class=\"paywall\">In the Second World War, France surrendered but Frantz stood firm; in 1943, at seventeen, he fled Martinique, making a clandestine, treacherous sea journey to Dominica to join Charles de Gaulle\u2019s Free French Forces. Fighting with them in Europe, he won a medal and sustained a shrapnel wound. A worse blow, however, came to Fanon\u2019s psyche. For the first time, he saw the scorn in which he, a Black man, was held by the Europeans he had helped liberate. \u201cHe was torn, quartered,\u201d his brother Joby recalled.<\/p>\n<div class=\"inline-recirc-wrapper inline-recirc-observer-target-3 viewport-monitor-anchor\" data-attr-viewport-monitor=\"inline-recirc\" data-event-boundary=\"click\" data-event-click=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-in-view=\"{&quot;pattern&quot;:&quot;InlineRecirc&quot;}\" data-include-experiments=\"true\"><\/div>\n<p class=\"paywall\">After the war, Fanon returned to Europe, more serious yet less controlled. He wrote three absurdist plays that vibrated with frustrated meaning. (\u201cI want to spatter this pregnant sky with a vertiginous act!\u201d one character announces.) After a brief attempt at dentistry (\u201cI will teach you to bite into the mammaries of life,\u201d another character declares), Fanon turned to psychiatry (\u201cI fragment the hypotenuse that redoubles the World\u201d\u2014it sounds better in French).<\/p>\n<p class=\"paywall\">He never stopped writing drama, though. His theoretical texts described social types\u2014the West Indian, the colonist, the colonized intellectual\u2014as if they were characters in a play. Fanon felt that Alfred Adler\u2019s \u201cindividual psychology\u201d fell short for the colonized because, under imperialism, whole populations could become neurotic, with the colonizers playing the role of Adler\u2019s older brother. Looking back on his Francophilic upbringing in Martinique, Fanon recognized an inferiority complex induced by empire.<\/p>\n<p class=\"paywall\">He saw worse when he took a post in Algeria, in 1953. Unlike Martinique, Algeria had recently been scarred by violence, most notably in 1945, when, after a clash with nationalists, the French massacred thousands of Algerians. In 1954, nationalists launched a war of liberation. Fanon\u2019s patients included the lone survivor of a massacre, a police torturer, and two Muslim youths who had killed their European friend.<\/p>\n<p class=\"paywall\">Individual traumas could be handled clinically, but what about societal ones? Fanon believed that the act of defying empire could cure Algerian neuroses. \u201cThe colonized man liberates himself in and through violence,\u201d Fanon wrote. Shatz, eager to present a palatable version of his subject, hastens to add that, for Fanon, vengeance was only a step on the liberation ladder. Still, it was a crucial step. As Fanon insisted, what the colonized needed wasn\u2019t concessions granted by the master but \u201cquite literally the death of this master.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridItem-buujkM fVLMby grid--item grid-layout__aside\">\n<div class=\"StickyBoxWrapper-jfYBuk jxBcTH sticky-box\">\n<div class=\"StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary\">\n<div class=\"ConsumerMarketingUnitThemedWrapper-iUTMTf jssHut consumer-marketing-unit consumer-marketing-unit--display-rail\" role=\"presentation\" aria-hidden=\"true\">\n<div class=\"consumer-marketing-unit__slot consumer-marketing-unit__slot--display-rail\">It\u2019s tempting to hear this as the voice of the downtrodden, finally free to speak harsh truths. But Fanon was awkwardly positioned vis-\u00e0-vis those truths. His first book, \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/Black-White-Masks-Frantz-Fanon\/dp\/0802143008\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/Black-White-Masks-Frantz-Fanon\/dp\/0802143008\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/Black-White-Masks-Frantz-Fanon\/dp\/0802143008\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/Black-White-Masks-Frantz-Fanon\/dp\/0802143008\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"3\" data-ml=\"true\" data-xid=\"fr1704791275659bdh\">Black Skin, White Masks<\/a>\u201d (1952), criticized Black men who desired white women, yet Fanon\u2019s main partners were white. His second, \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/Dying-Colonialism-Frantz-Fanon\/dp\/0802150276\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/Dying-Colonialism-Frantz-Fanon\/dp\/0802150276\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/Dying-Colonialism-Frantz-Fanon\/dp\/0802150276\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/Dying-Colonialism-Frantz-Fanon\/dp\/0802150276\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"4\" data-ml=\"true\" data-xid=\"fr1704791275659eig\">A Dying Colonialism<\/a>\u201d (1959), was an insider\u2019s view of Algerian nationalism by an outsider who spoke neither Arabic nor Berber. His third, \u201c<a class=\"external-link\" href=\"https:\/\/www.amazon.com\/Wretched-Earth-Frantz-Fanon\/dp\/0802158633\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" target=\"_blank\" rel=\"nofollow noopener\" data-offer-url=\"https:\/\/www.amazon.com\/Wretched-Earth-Frantz-Fanon\/dp\/0802158633\/\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.amazon.com\/Wretched-Earth-Frantz-Fanon\/dp\/0802158633\/&quot;}\" data-orig-url=\"https:\/\/www.amazon.com\/Wretched-Earth-Frantz-Fanon\/dp\/0802158633\/?ots=1&amp;tag=thneyo0f-20&amp;linkCode=w50\" data-ml-id=\"5\" data-ml=\"true\" data-xid=\"fr1704791275659bdf\">The Wretched of the Earth<\/a>\u201d (1961), enjoined natives to attack settlers, though in Algeria Fanon was best classified as a settler himself. Shatz describes Fanon\u2019s extremism as the \u201czeal of a convert\u201d\u2014just as Fanon spoke better French than the French, he became, as a revolutionary, \u201cmore Algerian than the Algerians.\u201d<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"paywall\">Fanon considered taking up arms. Instead, he aided the National Liberation Front (F.L.N.) by furtively treating rebels in his psychiatric hospital. After the authorities caught wind of his activities, he moved to neighboring Tunisia, where he continued treating combatants and writing. Fanon was never at the revolution\u2019s helm, Shatz explains, but he mattered enough to require a bodyguard, an alias, and a false passport. His chief task was propaganda: explaining the F.L.N. to outsiders. If this required cleaning up the facts\u2014as when the F.L.N. massacred hundreds of Algerians connected to a rival nationalist group\u2014Fanon stood ready with a mop. Revolutionaries could never commit such crimes, he insisted; it must have been the French.<\/p>\n<p class=\"paywall\">Secret identities, cover stories, cunning ruses: there were times when Fanon\u2019s life resembled Bond\u2019s. In 1959, when he visited Rome for medical treatment, the car slated to collect him exploded. Shatz suggests that this was the work of French terrorists. Worried about another attempt, Fanon quietly changed his hospital room. A gunman burst into his original room shortly afterward.<\/p>\n<p class=\"paywall\">The next year, Fanon joined an undercover commando to establish a Saharan route into Algeria. Opening \u201cgreat lines\u201d between the independent countries south of the Sahara and the still unfree Algeria, he hoped, would allow him to smuggle weapons and march armies across the vast desert\u2014to \u201churl a continent against the last ramparts of colonial power.\u201d<\/p>\n<p class=\"has-dropcap has-dropcap__lead-standard-heading paywall\">The James Bond films brim with sophisticated gadgets, generously supplied by Bond\u2019s colleague Q. The novels, however, are low-tech and mention Q only obliquely. Instead, Bond relies on the assistance of Sir James Molony, the \u201cgreatest neurologist in England.\u201d Molony\u2019s services are repeatedly required because Bond is a mess. He has nightmares, wobbles under stress, suffers \u201cpsycho-neurosis,\u201d requires electroconvulsive therapy, and despises his own reflection.<\/p>\n<p class=\"paywall\">Fleming had his own maladies. He wrote of his \u201cconstant depression\u201d when contemplating \u201cthe fantastically rapid contraction of our influence, commercial and cultural, over half the globe.\u201d In the novels, Bond\u2019s personal woes and Britain\u2019s political ones are linked. They are resolved only when Bond, with his license to kill, rouses himself to dispatch the Empire\u2019s enemies. This was Fanon in reverse: bloodshed as balm not for the colonized but the colonizer.<\/p>\n<p class=\"paywall\">This commitment to carnage was, it should be said, unusual in the era. In most cases, European leaders facing rising nationalism relented before reaching the battlefield. Nationalists, too, were generally cautious about using force. \u201cWe have chosen just one weapon for our struggle, and that weapon is non-violence,\u201d\u00a0<a href=\"https:\/\/www.newyorker.com\/magazine\/2023\/11\/06\/the-lumumba-plot-the-secret-history-of-the-cia-and-a-cold-war-assassination-stuart-a-reid-book-review\">Patrice Lumumba<\/a>, one of decolonizing Africa\u2019s leading lights, explained.<\/p>\n<p class=\"paywall\">Algeria was a special case. It had a million white settlers, who were largely hellbent on keeping Algeria French. Some even tried to assassinate France\u2019s President de Gaulle, after he proved amenable to Algerian independence. Other African countries with European settlers, like South Africa, Southern Rhodesia, Kenya, and Mozambique, would see high levels of violence, too. (Mozambique now has an AK-47 on its flag.) Even so, war was not the norm. Between the Second World War and Algeria\u2019s independence, in 1962, twenty-eight African colonies became free, yet only four saw anticolonial fighting at any scale\u2014and none approached Algeria\u2019s. Lumumba gained power in the former Belgian Congo by election, not violence.<\/p>\n<p class=\"paywall\">For Fanon, peaceful liberation was a fool\u2019s paradise. In a telling passage in \u201cBlack Skin, White Masks,\u201d he describes the French Caribbean, where slavery had been abolished and rights extended by French decree, as \u201cunbearable.\u201d He prefers the United States, where \u201cthe Negro battles and is battled.\u201d On that \u201cfield of battle, its four corners marked by the scores of Negroes hanged by their testicles,\u201d Fanon envisions a \u201cmajestic\u201d monument arising. At its top stands, finally, \u201ca white man and a black man\u00a0<em>hand in hand<\/em>.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"paywall\">These bloody visions turned real for Fanon in Algeria. French interrogators there regularly used torture; soldiers had applied electric shocks to the vagina of one of Zohra Drif\u2019s comrades and violated another with a beer bottle. When French intellectuals expressed horror, Fanon rolled his eyes. Couldn\u2019t they see that their whole empire was built on such acts? Torture, at least, clarified things. \u201cWith his back to the wall, the knife at his throat, or to be more exact the electrode on his genitals, the colonized subject is bound to stop telling stories,\u201d Fanon wrote. In such moments, \u201cthe colonized subject discovers reality.\u201d<\/p>\n<p class=\"paywall\">In \u201cCasino Royale,\u201d Bond has his own encounter with reality when Le Chiffre captures and sadistically interrogates him, assailing his exposed testicles. Bond fears entering a \u201csexual twilight\u201d where he\u2019ll feel pleasure and develop a \u201cmasochistic infatuation\u201d with his tormentor. (Flagellation was an important element of Fleming\u2019s own sexual diet.) Yet after a stumble into relativism\u2014perhaps Communism isn\u2019t so bad?\u2014Bond rights himself. The torment of his \u201csensitive parts,\u201d plus a romantic betrayal, steels his resolve, and he dedicates his life to hunting Britain\u2019s foes.<\/p>\n<p class=\"paywall\">This was direct violence: not the impersonality of a caf\u00e9 bombing but the intimacy of the interrogation room. And, as the testicles suggest, it was fundamentally male. Fleming wrote a terrible Bond novel from a woman\u2019s perspective (\u201cThe Spy Who Loved Me\u201d), and Fanon discussed Muslim women who infiltrated settler spaces (though he understated their importance, his biographer Macey shows). Yet, mostly, their protagonists were men, with women serving occasionally as props in men\u2019s psychological journeys. \u201cWhen my restless hands caress those white breasts,\u201d Fanon wrote, \u201cthey grasp white civilization.\u201d Surely Bond knew the feeling.<\/p>\n<p class=\"paywall\">Both authors redirected violence onto their partners: Fanon publicly struck his wife and Fleming practiced sadomasochism. And both saw women as complicit. \u201cJust as there are faces that ask to be slapped,\u201d Fanon asked, \u201ccan one not speak of women who ask to be raped?\u201d One could, and Fleming frequently did. \u201cAll women love semi-rape,\u201d his lone female narrator explained. \u201cThey love to be taken.\u201d After Bond kills Doctor No, his dark-skinned (yet white) Jamaican companion throws herself at him, demanding \u201cslave-time.\u201d Such passages are cringeworthy, but they weren\u2019t misfires. Rape, torture, subjugation\u2014this was empire, red in tooth and claw.<\/p>\n<p class=\"has-dropcap has-dropcap__lead-standard-heading paywall\">It was all leading, Fanon thought, to the \u201cgreat showdown.\u201d Yet the collapse of Europe\u2019s empires didn\u2019t only mean the rise of Third World nationalism; it also meant the rise of the United States. And neither author quite knew what to make of that.<\/p>\n<p class=\"paywall\">For someone obsessed with empire, Fanon had surprisingly little to say about the world\u2019s greatest power. The United States was a \u201ccountry of lynchers,\u201d he felt, yet also a potential ally\u2014he touted\u00a0<a href=\"https:\/\/www.newyorker.com\/tag\/john-f-kennedy\">John\u00a0F. Kennedy<\/a>\u2019s \u201cdecisive and implacable\u201d opposition to French colonialism. Fanon\u2019s openness to U.S. power may help explain his disastrous alliance with the C.I.A.-backed Angolan leader Holden Roberto, who fought both colonizers and Angolan leftists. Shatz reveals that Roberto informed Fanon of a secret plot against Lumumba (there were several, including one involving a C.I.A. assassin). Roberto regarded Lumumba as \u201ca puppet in the hands of international communism\u201d and believed that \u201cblood must flow.\u201d When Lumumba\u2019s enemies killed and dismembered him, in January, 1961, Fanon blamed himself.<\/p>\n<p class=\"paywall\">Fanon had hoped to die in battle, but instead he grew sick with leukemia. He flew to Moscow for treatment, without success. Ailing, he dictated his most impassioned and important book, \u201cThe Wretched of the Earth.\u201d Then, accepting the help of the C.I.A., Fanon moved with his family to Bethesda, Maryland, for care (Roberto visited him in the hospital there). Fanon died in December, 1961, at the age of thirty-six; the U.S. Air Force carried his body back to Africa.<\/p>\n<p class=\"paywall\">Fleming, too, fell into the United States\u2019 widening gyre. After Suez, his books sold well, but it wasn\u2019t until John F. Kennedy came out as a Fleming fan, in 1961, that \u201cthe gusher burst,\u201d as Fleming\u2019s New York agent put it. U.S. sales grew frenzied, and the films followed. The first, \u201cDr. No,\u201d opened in the U.K. in October, 1962, two weeks before the Cuban missile crisis. With the free world menaced by nuclear arms on a Caribbean island, life seemed to be imitating Bond, and Bondmania mounted further.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"GridWrapper-cAzTTK kHBDeH grid grid-margins grid-items-2 ArticlePageChunksGrid-hfxaau bjczjj grid-layout--adrail narrow wide-adrail\">\n<div class=\"GridItem-buujkM stRKV grid--item grid-layout__content\">\n<div class=\"BodyWrapper-kufPGa kXcnbJ body body__container article__body\" data-journey-hook=\"client-content\" data-testid=\"BodyWrapper\">\n<div class=\"body__inner-container\">\n<p class=\"paywall\">Fleming played along but regarded the United States\u2014\u201cEldollarado,\u201d he called it\u2014warily. An affable C.I.A. officer in the novels, Felix Leiter, seems to exist only to be diminished: he is bursting with cash and warm feelings, but he defers constantly to Bond and soon gets horribly maimed. Fleming also inserted references to the real-life C.I.A. director Allen Dulles, a known Bond admirer, into three of the books. Yet this flash of reality only highlights how much of Bond\u2014the shark tanks, the loquacious villains, the endlessly up-for-it women\u2014is consoling fantasy. Perhaps the largest consolation is the idea that, in the actual Cold War, a British spy would be allowed at the adults\u2019 table.<\/p>\n<p class=\"paywall\">In the end, Fleming couldn\u2019t keep pace with the insatiable U.S. market. A lifetime of frankly heroic excess (bourbon counterbalanced the harms of cigarettes, he maintained) had wrecked him. \u201cI smell the undertaker\u2019s wind,\u201d Fleming told his niece. He died soon after, in August, 1964, of a heart attack.<\/p>\n<p class=\"paywall\">Fanon and Fleming envisioned empire ending, but neither lived to see it fully happen. In Algeria, decolonization snagged on the issue of settlers and provided exactly the \u201cmurderous and decisive confrontation\u201d that Fanon hoped for. Yet was this, in the end, therapeutic? The eight-year war not only killed hundreds of thousands; it elevated men of violence to power, with predictable consequences. Three years after independence, Algeria\u2019s President was overthrown in an Army coup, and the ways of war\u2014torture, surveillance, dictatorship\u2014continued into the time of peace. Had Fanon survived leukemia, he may not have survived Algeria.<\/p>\n<p class=\"paywall\">A month after the exhausted French abandoned Algeria, in 1962, the British, in a flurry of self-congratulation, allowed Jamaica to go free peacefully. Fleming insisted that Jamaicans still carried the Queen in their hearts, but the gin-soaked ruling class to which he belonged washed out with the tide. In 1976, Goldeneye was bought, sight unseen, by\u00a0<a href=\"https:\/\/www.newyorker.com\/magazine\/2017\/07\/24\/manufacturing-bob-marley\">Bob Marley<\/a>, the bard of Third World rebellion, who had overtaken Fleming as Jamaica\u2019s leading cultural export. Marley deemed the estate too posh, though, and signed it over to his producer.<\/p>\n<p class=\"paywall\">It was an apt symbol. Empire wasn\u2019t simply a gladiatorial contest; it was also a complex business of currency areas, tariffs, and property rights. Ending it required more than achieving catharsis. There\u2019s something undeniably satisfying about the dramatic scenes that Fanon and Fleming conjured: you\u00a0<em>want<\/em> to see the villain get eaten by an octopus and his base blown up. But history doesn\u2019t always offer that release. Some things die not with a bang but with a whimper.<\/p>\n<p>Source : <a href=\"https:\/\/www.newyorker.com\/magazine\/2024\/01\/15\/the-rebels-clinic-the-revolutionary-lives-of-frantz-fanon-adam-shatz-book-review-the-complete-man-ian-fleming\">https:\/\/www.newyorker.com\/magazine\/2024\/01\/15\/the-rebels-clinic-the-revolutionary-lives-of-frantz-fanon-adam-shatz-book-review-the-complete-man-ian-fleming<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>From opposite directions, the revolutionary intellectual and the creator of James Bond saw violence as essential\u2014psychologically and strategically\u2014to solving the crisis of&hellip;<\/p>\n","protected":false},"author":50,"featured_media":96895,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[10,4,14,11],"tags":[],"class_list":["post-96894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-featured-articles","category-historyheritage","category-politics"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What Frantz Fanon and Ian Fleming Agreed On - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/en\/what-frantz-fanon-and-ian-fleming-agreed-on\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What Frantz Fanon and Ian Fleming Agreed On - AAH.JZR\" \/>\n<meta property=\"og:description\" content=\"From opposite directions, the revolutionary intellectual and the creator of James Bond saw violence as essential\u2014psychologically and strategically\u2014to solving the crisis of&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jazairhope.org\/en\/what-frantz-fanon-and-ian-fleming-agreed-on\/\" \/>\n<meta property=\"og:site_name\" content=\"AAH.JZR\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/jazairhope\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-09T09:16:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jazairhope.org\/wp-content\/uploads\/2024\/01\/jh-3.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1380\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Hope Jzr\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Hope Jzr\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jazairhope.org\\\/en\\\/what-frantz-fanon-and-ian-fleming-agreed-on\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/en\\\/what-frantz-fanon-and-ian-fleming-agreed-on\\\/\"},\"author\":{\"name\":\"Hope Jzr\",\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/#\\\/schema\\\/person\\\/0b50f60fad840cf92313307e38c9d20d\"},\"headline\":\"What Frantz Fanon and Ian Fleming Agreed On\",\"datePublished\":\"2024-01-09T09:16:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/en\\\/what-frantz-fanon-and-ian-fleming-agreed-on\\\/\"},\"wordCount\":4214,\"commentCount\":1,\"image\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/en\\\/what-frantz-fanon-and-ian-fleming-agreed-on\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jazairhope.org\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/jh-3.webp\",\"articleSection\":[\"Art &amp; 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