{"id":106523,"date":"2024-07-24T13:50:41","date_gmt":"2024-07-24T12:50:41","guid":{"rendered":"https:\/\/jazairhope.org\/?p=106523"},"modified":"2024-07-24T13:53:10","modified_gmt":"2024-07-24T12:53:10","slug":"habib-benglia-lalgerien-pionnier-de-la-scene-et-du-cinema-francais","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/habib-benglia-lalgerien-pionnier-de-la-scene-et-du-cinema-francais\/","title":{"rendered":"Habib Benglia: l’Alg\u00e9rien Pionnier de la Sc\u00e8ne et du Cin\u00e9ma Fran\u00e7ais"},"content":{"rendered":"
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Habib Benglia, n\u00e9 le 25 ao\u00fbt 1895 \u00e0 Oran, en Alg\u00e9rie, de parents originaires de Tombouctou, est un acteur qui a marqu\u00e9 l’histoire de la sc\u00e8ne et du cin\u00e9ma en France. Tr\u00e8s jeune, \u00e0 l’\u00e2ge de 17 ans, il a immigr\u00e9 en France avec son p\u00e8re, venu livrer des dromadaires au Jardin d\u2019acclimatation de Paris. C’est en 1912 qu’il d\u00e9bute sa carri\u00e8re artistique \u00e0 Paris, se produisant dans des spectacles de cirque, au th\u00e9\u00e2tre et au cin\u00e9ma, devenant ainsi le premier acteur noir \u00e0 jouer des r\u00f4les majeurs sur ces sc\u00e8nes en France et en Alg\u00e9rie pendant l’\u00e8re du cin\u00e9ma muet\u200b (<\/span>Wikip\u00e9dia, l’encyclop\u00e9die libre<\/a>)<\/span><\/span>\u200b\u200b (<\/span>Cultea<\/a>)<\/span><\/span>\u200b.<\/p>\n

<\/h3>\n

Une Carri\u00e8re Entrav\u00e9e par la Guerre<\/h3>\n

En 1913, Benglia commence \u00e0 se produire sur sc\u00e8ne, mais sa carri\u00e8re est rapidement interrompue par la Premi\u00e8re Guerre mondiale, o\u00f9 il est mobilis\u00e9 comme tirailleur. \u00c0 son retour, il int\u00e8gre la compagnie de Firmin G\u00e9mier, et plus tard, celle de Gaston Baty. En 1923, il interpr\u00e8te le r\u00f4le principal dans “L’Empereur Jones” \u00e0 l\u2019Od\u00e9on, une adaptation de la pi\u00e8ce d’Eug\u00e8ne O’Neill, devenant le premier acteur noir \u00e0 jouer un premier r\u00f4le sur un th\u00e9\u00e2tre national fran\u00e7ais\u200b (<\/span>Cultea<\/a>)<\/span><\/span>\u200b\u200b (<\/span>Another History<\/a>)<\/span><\/span>\u200b.<\/p>\n

<\/h3>\n

Une Reconnaissance M\u00e9rit\u00e9e mais Entrav\u00e9e par le Racisme<\/h3>\n

Bien qu’il ait jou\u00e9 dans des pi\u00e8ces classiques comme “Le Bourgeois gentilhomme” de Moli\u00e8re et “Le Marchand de Venise” de Shakespeare, Benglia a souvent \u00e9t\u00e9 confront\u00e9 \u00e0 des critiques racistes. Des articles de l’\u00e9poque le d\u00e9crivaient souvent en termes d\u00e9gradants, mettant en avant sa couleur de peau plut\u00f4t que son talent. Par exemple, dans une critique de “Le Loup de Gubbio”, un journaliste a refus\u00e9 de reconna\u00eetre son statut de com\u00e9dien en raison de sa couleur de peau, malgr\u00e9 son talent \u00e9vident\u200b (<\/span>Cultea<\/a>)<\/span><\/span>\u200b\u200b (<\/span>RetroNews – Le site de presse de la BnF<\/a>)<\/span><\/span>\u200b.<\/p>\n

<\/h3>\n

Une Figure du Cin\u00e9ma de l\u2019Entre-deux-guerres<\/h3>\n

En dehors du th\u00e9\u00e2tre, Habib Benglia est \u00e9galement apparu dans de nombreux films. Bien que souvent cantonn\u00e9 \u00e0 des r\u00f4les secondaires, il a marqu\u00e9 de sa pr\u00e9sence des films comme “Les Enfants du paradis” de Marcel Carn\u00e9 et “La Grande Illusion” de Jean Renoir. Il a \u00e9galement jou\u00e9 dans “Tamango” de John Berry, aux c\u00f4t\u00e9s de Curd Jurgens et Dorothy Dandridge\u200b (<\/span>Wikip\u00e9dia, l’encyclop\u00e9die libre<\/a>)<\/span><\/span>\u200b\u200b (<\/span>Another History<\/a>)<\/span><\/span>\u200b.<\/p>\n

 <\/p>\n

Mr Ahmed Bedjaoui, Le Monsieur Cin\u00e9ma Alg\u00e9rien\u00a0\u00e9crit :<\/h3>\n

Gr\u00e2ce \u00e0 mon ami Christian Delorme, j’ai d\u00e9couvert cet artiste alg\u00e9rien tr\u00e8s (trop) peu connu : Habib Benglia. Cette photo a \u00e9t\u00e9 d\u00e9dicac\u00e9e en 1938 par l\u2019acteur \u00e0 Roger Couty, alors cadre aux studios de Boulogne-Billancourt, au moment du tournage du film \u00ab Temp\u00eate sur l\u2019Asie \u00bb. Sur la Toile du Web, on trouve des interviews film\u00e9es de lui.<\/a><\/p>\n

<\/h3>\n

Une Contribution Inestimable \u00e0 l\u2019Art<\/h3>\n

Malgr\u00e9 les d\u00e9fis et les pr\u00e9jug\u00e9s auxquels il a d\u00fb faire face, Habib Benglia a laiss\u00e9 une marque ind\u00e9l\u00e9bile dans l’histoire culturelle fran\u00e7aise. Il est souvent pr\u00e9sent\u00e9 comme un \u00ab acteur alg\u00e9rien \u00bb dans les catalogues de films, soulignant ainsi son h\u00e9ritage et son influence. Des interviews film\u00e9es et des archives t\u00e9moignent encore de son impact sur les arts. Sa d\u00e9dicace en 1938 \u00e0 Roger Couty, alors cadre aux studios de Boulogne-Billancourt, reste un souvenir pr\u00e9cieux de son parcours.<\/p>\n

Habib Benglia est d\u00e9c\u00e9d\u00e9 le 2 d\u00e9cembre 1960 \u00e0 Paris, mais son h\u00e9ritage continue de vivre, rappelant son r\u00f4le de pionnier et son combat contre les pr\u00e9jug\u00e9s raciaux dans le monde artistique\u200b (<\/span>Wikip\u00e9dia, l’encyclop\u00e9die libre<\/a>)<\/span><\/span>\u200b\u200b (<\/span>RetroNews – Le site de presse de la BnF<\/a>)<\/span><\/span>\u200b.<\/p>\n

En fin de compte, Habib Benglia est une figure essentielle de l\u2019histoire de l\u2019art alg\u00e9rien et fran\u00e7ais, un symbole de talent et de r\u00e9silience face \u00e0 l’adversit\u00e9.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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