{"id":110223,"date":"2024-10-04T20:38:50","date_gmt":"2024-10-04T19:38:50","guid":{"rendered":"https:\/\/jazairhope.org\/?p=110223"},"modified":"2024-10-04T20:38:51","modified_gmt":"2024-10-04T19:38:51","slug":"la-musique-andalouse-del-gharnati-de-tlemcen","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/la-musique-andalouse-del-gharnati-de-tlemcen\/","title":{"rendered":"La musique andalouse d&#8217;El Gharnati de Tlemcen"},"content":{"rendered":"<h4><strong>\u00a0<span style=\"color: #003366\">El Gharnati<\/span><\/strong><\/h4>\n<p style=\"text-align: left\"><i>Gharnati<\/i>\u00a0signifie\u00a0<span class=\"citation\">\u00ab\u00a0originaire de Grenade\u00a0\u00bb<\/span>. C&#8217;est le nom sp\u00e9cifique attribu\u00e9 en\u00a0Alg\u00e9rie, \u00e0 la\u00a0nouba\u00a0de l&#8217;\u00e9cole de\u00a0Tlemcen, \u00e0 c\u00f4t\u00e9 de la\u00a0san\u00e2a\u00a0de l&#8217;\u00e9cole d&#8217;Alger\u00a0et du\u00a0malouf\u00a0de l&#8217;\u00e9cole de\u00a0Constantine<sup id=\"cite_ref-Bestandji_4-0\" class=\"reference\"><\/sup>. Toutefois, selon Taoufik Bestandji,\u00a0<span class=\"citation\">\u00ab\u00a0\u00e9cole\u00a0\u00bb<\/span>\u00a0est un terme impropre et flou, il n&#8217;y a pas de diff\u00e9rences structurelles entre les sp\u00e9cificit\u00e9s de ces \u00ab\u00a0\u00c9coles\u00a0\u00bb<sup id=\"cite_ref-Bestandji_4-1\" class=\"reference\"><\/sup>. Cette \u00e9cole se revendique de\u00a0Grenade<sup id=\"cite_ref-6\" class=\"reference\"><\/sup>. Au-del\u00e0 des rapprochement avec les villes d&#8217;Andalousie, les diff\u00e9rences que l&#8217;on y d\u00e9c\u00e8le restent plut\u00f4t li\u00e9es aux influences locales qu&#8217;\u00e0 une diff\u00e9renciation originelle<sup id=\"cite_ref-Tchebwa_5-1\" class=\"reference\"><\/sup>.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/jazairhope.org\/wp-content\/uploads\/2024\/10\/19398912_303.jpg\" alt=\"\u0644\u0645\u0627\u0630\u0627 \u064a\u0639\u0627\u0631\u0636 \u0628\u0639\u0636 \u0627\u0644\u0625\u0633\u0628\u0627\u0646 \u0627\u0644\u0627\u062d\u062a\u0641\u0627\u0644 \u0628\u064a\u0648\u0645\u2033 \u0627\u0633\u062a\u0639\u0627\u062f\u0629 \u063a\u0631\u0646\u0627\u0637\u0629\u2033\u061f | \u0645\u0646\u0648\u0639\u0627\u062a | \u0646\u0627\u0641\u0630\u0629 DW \u0639\u0631\u0628\u064a\u0629 \u0639\u0644\u0649 \u062d\u064a\u0627\u0629 \u0627\u0644\u0645\u0634\u0627\u0647\u064a\u0631 \u0648\u0627\u0644\u0623\u062d\u062f\u0627\u062b \u0627\u0644\u0637\u0631\u064a\u0641\u0629 | DW | 03.01.2019\" \/><\/p>\n<p>Le terme\u00a0<i>gharnata<\/i>\u00a0est revendiqu\u00e9 par l&#8217;\u00e9cole de\u00a0Tlemcen<sup id=\"cite_ref-arous_7-0\" class=\"reference\"><\/sup>. Cependant, selon Rachid Aous et Mohammed Habib Samrakandi, le terme y d\u00e9signe plus g\u00e9n\u00e9ralement le r\u00e9pertoire andalou, y compris le\u00a0hawzi\u00a0et l&#8217;aroubi, en opposition \u00e0 la musique moderne<sup id=\"cite_ref-arous_7-1\" class=\"reference\"><\/sup>, le mot\u00a0<i>san\u00e2a<\/i>\u00a0est employ\u00e9 pour annoncer un programme distinct du hawzi ou du aroubi<sup id=\"cite_ref-arous_7-2\" class=\"reference\"><\/sup>. L&#8217;\u00e9cole de Tlemcen, est par ailleurs \u00e9galement, appel\u00e9e\u00a0<span class=\"citation\">\u00ab\u00a0san\u00e2a de Tlemcen\u00a0\u00bb<\/span><sup id=\"cite_ref-patrimoineculturelalgerien_8-0\" class=\"reference\"><\/sup>. On d\u00e9signe habituellement par ce terme, \u00e0 la fois une pratique et un r\u00e9pertoire de compositions musicales (de types modales) et de po\u00e8mes strophiques (mouachah\u00a0et\u00a0zadjal) inspir\u00e9s de l&#8217;Espagne musulmane<sup id=\"cite_ref-9\" class=\"reference\"><\/sup>.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/jazairhope.org\/wp-content\/uploads\/2024\/10\/14.jpg\" alt=\"\u0627\u0644\u0637\u0631\u0628 \u0627\u0644\u063a\u0631\u0646\u0627\u0637\u064a\" width=\"337\" height=\"228\" \/><\/p>\n<p>Le Gharnati de Tlemcen a beaucoup de similitudes avec la san\u00e2a d&#8217;Alger, ce n&#8217;est que avec la cr\u00e9ation de l&#8217;orchestre classique arabo-andalou de Radio d&#8217;Alger en 1946 qu&#8217;a eu v\u00e9ritablement la dissociation entre les deux \u00e9coles<sup id=\"cite_ref-YT6_10-0\" class=\"reference\"><\/sup>. L&#8217;\u00e9cole poss\u00e8de des satellites \u00e0\u00a0Nedroma,\u00a0Oran\u00a0et\u00a0Mostaganem<sup id=\"cite_ref-11\" class=\"reference\"><\/sup>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><span id=\"Structure_du_gharnati\" class=\"mw-headline\" style=\"color: #003366\">Structure du gharnati<\/span><\/h4>\n<p>Les modes\u00a0<i>(\u0637\u0628\u0648\u0639)<\/i>\u00a0connus \u00e0 l&#8217;\u00e9cole de Tlemcen sont les suivants;<\/p>\n<ul>\n<li>Maww\u0101l\u00a0<i>(\u0627\u0644\u0645\u0648\u0627\u0644)<\/i>\n<ul>\n<li>Maww\u0101l\u00a0<i>(\u0627\u0644\u0645\u0648\u0627\u0644)<\/i><\/li>\n<li>D\u012bl\u00a0<i>(\u0627\u0644\u0630\u064a\u0644)<\/i><\/li>\n<li>Ra\u1e63d \u0259-D\u012bl\u00a0<i>(\u0631\u0635\u062f \u0627\u0644\u0630\u064a\u0644)<\/i><\/li>\n<li>M\u0101ya\u00a0<i>(\u0627\u0644\u0645\u0627\u064a\u0629)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>Z\u012bd\u0101n\u00a0<i>(\u0627\u0644\u0632\u064a\u062f\u0627\u0646)<\/i>\n<ul>\n<li>Z\u012bd\u0101n\u00a0<i>(\u0627\u0644\u0632\u064a\u062f\u0627\u0646)<\/i><\/li>\n<li>Raml \u0259l-\u02bfA\u0161iyya\u00a0<i>(\u0631\u0645\u0644 \u0627\u0644\u0639\u0634\u064a\u0629)<\/i><\/li>\n<li>M\u01e7\u0259nba\u00a0<i>(\u0627\u0644\u0645\u062c\u0646\u0628\u0629)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>Raml \u0259l-M\u0101ya\u00a0<i>(\u0631\u0645\u0644 \u0627\u0644\u0645\u0627\u064a\u0629)<\/i>\n<ul>\n<li>Raml \u0259l-M\u0101ya\u00a0<i>(\u0631\u0645\u0644 \u0627\u0644\u0645\u0627\u064a\u0629)<\/i><\/li>\n<li>Ra\u1e63d\u00a0<i>(\u0627\u0644\u0631\u0635\u062f)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>&#8216;Iraq Ma\u1e6dl\u016bq\u00a0<i>(\u0627\u0644\u0639\u0631\u0627\u0642 \u0627\u0644\u0645\u0637\u0644\u0648\u0642)<\/i>\n<ul>\n<li>&#8216;Iraq Ma\u1e6dl\u016bq\u00a0<i>(\u0627\u0644\u0639\u0631\u0627\u0642 \u0627\u0644\u0645\u0637\u0644\u0648\u0642)<\/i><\/li>\n<li>\u1e24s\u012bn\u00a0<i>(\u0627\u0644\u062d\u0633\u064a\u0646)<\/i><\/li>\n<li>\u0120r\u012bbat \u0259l-\u1e24s\u012bn\u00a0<i>(\u063a\u0631\u064a\u0628\u0629 \u0627\u0644\u062d\u0633\u064a\u0646)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>M\u0259zm\u016bm\u00a0<i>(\u0627\u0644\u0645\u0632\u0645\u0648\u0645)<\/i>\n<ul>\n<li>M\u0259zm\u016bm\u00a0<i>(\u0627\u0644\u0645\u0632\u0645\u0648\u0645)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>\u1e62\u012bk\u0101\u00a0<i>(\u0627\u0644\u0633\u064a\u0643\u0627\u0647)<\/i>\n<ul>\n<li>\u1e62\u012bk\u0101\u00a0<i>(\u0627\u0644\u0633\u064a\u0643\u0627\u0647)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>\u01e6\u0101rk\u0101\u00a0<i>(\u0627\u0644\u062c\u0627\u0631\u0643\u0627\u0647)<\/i>\n<ul>\n<li>\u01e6\u0101rk\u0101\u00a0<i>(\u0627\u0644\u062c\u0627\u0631\u0643\u0627\u0647)<\/i><\/li>\n<\/ul>\n<\/li>\n<li>\u2018Ir\u0101q Ma\u1e25\u1e63\u016br\u00a0<i>(\u0627\u0644\u0639\u0631\u0627\u0642 \u0627\u0644\u0645\u062d\u0635\u0648\u0631)<\/i>\n<ul>\n<li>\u2018Ir\u0101q Ma\u1e25\u1e63\u016br\u00a0<i>(\u0627\u0644\u0639\u0631\u0627\u0642 \u0627\u0644\u0645\u062d\u0635\u0648\u0631)<\/i><\/li>\n<li>\u0120r\u012bb\u00a0<i>(\u0627\u0644\u063a\u0631\u064a\u0628)<\/i><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div style=\"width: 450px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"\" src=\"https:\/\/jazairhope.org\/wp-content\/uploads\/2024\/10\/c099a1b23688159a723180da125ff810_L.jpg\" alt=\"\u062a\u0644\u0645\u0633\u0627\u0646 \u062a\u0633\u062a\u0645\u062a\u0639 \u0628\u0627\u0644\u062d\u0636\u0631\u0629 \u0627\u0644\u0623\u0646\u062f\u0644\u0633\u064a\u0629 - \u0627\u0644\u0645\u0633\u0627\u0621\" width=\"440\" height=\"293\" \/><p class=\"wp-caption-text\"><strong><span style=\"color: #003366\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Maitre Larbi Bensari<\/span><\/strong><\/p><\/div>\n<h4><span id=\"Auteurs-compositeurs\" class=\"mw-headline\" style=\"color: #003366\">Auteurs-compositeurs<\/span><\/h4>\n<ul>\n<li>Mohamed ibn al-Khamis<sup id=\"cite_ref-El_Hassar_A_25-0\" class=\"reference\"><\/sup>\u00a0[1252-1369]<\/li>\n<li>Abou Hammou Moussa II<sup id=\"cite_ref-El_Hassar_26-0\" class=\"reference\"><\/sup>\u00a0[1324-1388], huiti\u00e8me sultan de la\u00a0dynastie zianide<\/li>\n<li>Ibn al-Banna a-Tilimsani<sup id=\"cite_ref-El_Hassar_26-1\" class=\"reference\"><\/sup><\/li>\n<li>Abi Djamaa Talalisi<sup id=\"cite_ref-El_Hassar_26-2\" class=\"reference\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gharnati#cite_note-El_Hassar-26\">24<\/a><\/sup>\u00a0(n\u00e9 en 1330), m\u00e9decin et po\u00e8te de la \u00a0cour zianide<sup id=\"cite_ref-El_Hassar_B_27-0\" class=\"reference\"><\/sup><\/li>\n<li>Abou Othmane Said El Mendassi<sup id=\"cite_ref-El_Hassar_26-3\" class=\"reference\"><\/sup>\u00a0[1583-1677]<\/li>\n<li>Ahmed al-Bekri<sup id=\"cite_ref-El_Hassar_26-4\" class=\"reference\"><\/sup><\/li>\n<li>Ibn Nachit<sup id=\"cite_ref-El_Hassar_B_27-1\" class=\"reference\"><\/sup><\/li>\n<li>Ahmed Ben Triki<sup id=\"cite_ref-El_Hassar_26-5\" class=\"reference\"><\/sup>\u00a0[1650-1750]<\/li>\n<li>Abou Abdillah Mohamed Ben Ahmed Ben Msayeb<sup id=\"cite_ref-El_Hassar_26-6\" class=\"reference\"><\/sup>\u00a0[1688-1768]<\/li>\n<li>Moulay Ahmed Ben Antar<sup id=\"cite_ref-El_Hassar_Ba_28-0\" class=\"reference\"><\/sup><\/li>\n<li>Mohamed Bendebbah a-Tilimsani<sup id=\"cite_ref-El_Hassar_26-7\" class=\"reference\"><\/sup><\/li>\n<li>Mohamed Touati<sup id=\"cite_ref-El_Hassar_Ba_28-1\" class=\"reference\"><\/sup><\/li>\n<li>M\u2019barek Bouletbaq<sup id=\"cite_ref-El_Hassar_26-8\" class=\"reference\"><\/sup> [mort en 1768]<\/li>\n<li>Boum\u00e9di\u00e8ne Bensahla<sup id=\"cite_ref-El_Hassar_A_25-1\" class=\"reference\"><\/sup> [mor en 1797]<\/li>\n<li>Larbi Bensari\u00a0[1872-1964]<\/li>\n<\/ul>\n<h4><span id=\"Grands_ma\u00eetres\" class=\"mw-headline\" style=\"color: #003366\">Grands ma\u00eetres<\/span><\/h4>\n<div class=\"colonnes\">\n<ul>\n<li>Abdelkader KERMOUNI SERRADJ [1855-1946]<\/li>\n<li>Abdelkrim Dali\u00a0[1914-1978]<\/li>\n<li>Abderrahmane Sekkal [1910-1985]<\/li>\n<li>ABDESELAM BENSARI<\/li>\n<li>Amine KALFAT [1942-]<\/li>\n<li>Amine MESLI [1955-2006]<\/li>\n<li>Bachir ZERROUKI [1924-2004]<\/li>\n<li>Cheikha Tetma\u00a0[1891-1962]<\/li>\n<li>El Hadj Hammadi BAGHDADLI [1797-1867]<\/li>\n<li>El Hadj Mohamed El Ghaffour\u00a0[1930-]<\/li>\n<li>Fewzi KALFAT [1959-]<\/li>\n<li>Ghaouti DIB [1863-1917]<\/li>\n<li>Salah BOUKLI-HACENE [1946-]<\/li>\n<li>Mahieddine Kamal MALTI [1929-2011]<\/li>\n<li>Khair-Eddine ABOURA [1908-1977]<\/li>\n<li>Larbi Bensari\u00a0[1872-1964]<\/li>\n<li>Lazaar BEN DALI YAHIA [1894-1940]<\/li>\n<\/ul>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/i.skyrock.net\/9362\/46589362\/pics\/2698708928_1.jpg\" alt=\"Cheikh El Hadj Abdelkrim Dali (1904 \u2013 1978) Une vie, une oeuvre - Abdelkader Bendam\u00e8che\" width=\"390\" height=\"499\" \/><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0El Gharnati Gharnati\u00a0signifie\u00a0\u00ab\u00a0originaire de Grenade\u00a0\u00bb. C&#8217;est le nom sp\u00e9cifique attribu\u00e9 en\u00a0Alg\u00e9rie, \u00e0 la\u00a0nouba\u00a0de l&#8217;\u00e9cole de\u00a0Tlemcen, \u00e0 c\u00f4t\u00e9 de la\u00a0san\u00e2a\u00a0de l&#8217;\u00e9cole d&#8217;Alger\u00a0et du\u00a0malouf\u00a0de&hellip;<\/p>\n","protected":false},"author":58,"featured_media":4142,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-110223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La musique andalouse d&#039;El Gharnati de Tlemcen - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/la-musique-andalouse-del-gharnati-de-tlemcen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La musique andalouse d&#039;El Gharnati de Tlemcen - AAH.JZR\" \/>\n<meta property=\"og:description\" content=\"\u00a0El Gharnati Gharnati\u00a0signifie\u00a0\u00ab\u00a0originaire de Grenade\u00a0\u00bb. C&#8217;est le nom sp\u00e9cifique attribu\u00e9 en\u00a0Alg\u00e9rie, \u00e0 la\u00a0nouba\u00a0de l&#8217;\u00e9cole de\u00a0Tlemcen, \u00e0 c\u00f4t\u00e9 de la\u00a0san\u00e2a\u00a0de l&#8217;\u00e9cole d&#8217;Alger\u00a0et du\u00a0malouf\u00a0de&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jazairhope.org\/fr\/la-musique-andalouse-del-gharnati-de-tlemcen\/\" \/>\n<meta property=\"og:site_name\" content=\"AAH.JZR\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/jazairhope\" \/>\n<meta property=\"article:published_time\" content=\"2024-10-04T19:38:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-04T19:38:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jazairhope.org\/wp-content\/uploads\/2020\/11\/19398912_303.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"394\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mohamed Redha Chettibi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mohamed Redha Chettibi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/la-musique-andalouse-del-gharnati-de-tlemcen\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/la-musique-andalouse-del-gharnati-de-tlemcen\\\/\"},\"author\":{\"name\":\"Mohamed Redha Chettibi\",\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/#\\\/schema\\\/person\\\/25f89793241399d8600e452019d99b77\"},\"headline\":\"La musique andalouse d&#8217;El Gharnati de Tlemcen\",\"datePublished\":\"2024-10-04T19:38:50+00:00\",\"dateModified\":\"2024-10-04T19:38:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/la-musique-andalouse-del-gharnati-de-tlemcen\\\/\"},\"wordCount\":512,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/jazairhope.org\\\/fr\\\/la-musique-andalouse-del-gharnati-de-tlemcen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jazairhope.org\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/19398912_303.jpg\",\"articleSection\":[\"Art &amp; 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