{"id":111557,"date":"2024-11-19T11:43:24","date_gmt":"2024-11-19T10:43:24","guid":{"rendered":"https:\/\/jazairhope.org\/?p=111557"},"modified":"2024-11-19T11:43:24","modified_gmt":"2024-11-19T10:43:24","slug":"kamel-daoud-dun-fascisme-lautre-par-alina-reyes","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/kamel-daoud-dun-fascisme-lautre-par-alina-reyes\/","title":{"rendered":"Kamel Daoud, d\u2019un fascisme l\u2019autre … Par Alina Reyes"},"content":{"rendered":"

Kamel Daoud, \u00e9crivain connu et ancien laur\u00e9at du Prix Goncourt, est au centre d’une controverse qui r\u00e9v\u00e8le les dynamiques complexes de l’adaptation de certains intellectuels \u00e0 des contextes de pouvoir qui, paradoxalement, renforcent des discours oppressifs. L’analyse d’Alina Reyes, sur sa cha\u00eene “La Parisienne”, met en lumi\u00e8re comment Daoud, autrefois per\u00e7u comme une voix critique au sein du monde litt\u00e9raire, incarne d\u00e9sormais une forme de collaboration intellectuelle qui, de mani\u00e8re troublante, passe de l’islamisme au soutien de courants id\u00e9ologiques totalitaires.<\/p>\n

Reyes d\u00e9bute par rappeler que l’on peut et que l’on doit critiquer sa propre culture, mais jamais avec la complaisance de ceux qui cherchent \u00e0 la dominer. Selon elle, Daoud a c\u00e9d\u00e9 \u00e0 cette tentation, alignant sa critique des soci\u00e9t\u00e9s arabo-musulmanes sur les attentes des puissants en France. L’\u00e9lite fran\u00e7aise<\/em>, explique Reyes, pr\u00e9f\u00e8re ceux qui fustigent leur propre peuple<\/em>, tant que cette critique s’aligne avec l’agenda de ces \u00e9lites.<\/p>\n

Un autre aspect soulign\u00e9 par Reyes est la violence physique pass\u00e9e de Daoud, souvent pass\u00e9e sous silence en France. Condamn\u00e9 en Alg\u00e9rie pour coups et blessures avec arme, ce pass\u00e9 contraste avec l’image de f\u00e9ministe qu’il tente de projeter. Reyes souligne que ses discours sur “la femme” essentialisent les femmes en les r\u00e9duisant \u00e0 des arch\u00e9types fig\u00e9s. Cette essentialisation<\/em>, selon elle, ne diff\u00e8re gu\u00e8re du regard r\u00e9ducteur port\u00e9 par les courants fondamentalistes qu’il dit critiquer<\/em>. Daoud semble avoir troqu\u00e9 l’islamisme pour un discours tout aussi rigide, marqu\u00e9 par une exclusion et un m\u00e9pris qui r\u00e9sonnent avec une forme de fascisme culturel.<\/p>\n

Le point culminant de cette critique r\u00e9side dans l’histoire de Saada, une femme alg\u00e9rienne victime d\u2019un attentat terroriste, dont l\u2019intimit\u00e9 a \u00e9t\u00e9 viol\u00e9e lorsque Daoud a utilis\u00e9 son histoire personnelle pour un roman sans son consentement. La femme, suivie par la seconde \u00e9pouse de Daoud, a vu ses confidences m\u00e9dicales trahies et transform\u00e9es en mati\u00e8re litt\u00e9raire, exposant ainsi une exploitation ind\u00e9cente de sa douleur. Reyes souligne le cynisme de Daoud qui, sous couvert de “rendre la voix aux Alg\u00e9riennes”<\/em>, a en r\u00e9alit\u00e9 viol\u00e9 leur intimit\u00e9 pour se parer d\u2019un vernis de d\u00e9fenseur de la cause f\u00e9minine.<\/p>\n

Alina Reyes conclut en \u00e9tablissant un parall\u00e8le entre le comportement de Daoud et le sch\u00e9ma du fascisme culturel, o\u00f9 l’identit\u00e9 et la dignit\u00e9 des opprim\u00e9s sont exploit\u00e9es pour le b\u00e9n\u00e9fice personnel et l’approbation des structures de pouvoir. En soutenant des id\u00e9es telles que l’ultra-sionisme sans condamner les exactions actuelles, Daoud, selon Reyes, continue \u00e0 participer \u00e0 des dynamiques de pouvoir o\u00f9 la soumission aux id\u00e9ologies dominantes prime sur toute sinc\u00e9rit\u00e9 intellectuelle.<\/p>\n

En somme, Reyes r\u00e9v\u00e8le comment Daoud, \u00e0 travers ses \u00e9crits et ses positions publiques, passe d\u2019un fascisme l\u2019autre. D\u2019abord fervent islamiste, puis critique des siens, il semble aujourd\u2019hui avoir trouv\u00e9 sa place parmi les intellectuels qui renforcent des r\u00e9cits oppressifs sous couvert de critique culturelle.<\/p>\n

Pour un r\u00e9cit plus complet de cette analyse percutante, rendez-vous sur le podcast d’Alina Reyes sur sa cha\u00eene La Parisienne<\/a>, ainsi que sur son blog<\/a> et son portrait vid\u00e9o ici<\/a>.<\/p>\n

Hope&Chadia<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kamel Daoud, \u00e9crivain connu et ancien laur\u00e9at du Prix Goncourt, est au centre d’une controverse qui r\u00e9v\u00e8le les dynamiques complexes de l’adaptation…<\/p>\n","protected":false},"author":50,"featured_media":111562,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[34,39],"tags":[],"class_list":["post-111557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fr","category-articles-en-vedette"],"yoast_head":"\nKamel Daoud, d\u2019un fascisme l\u2019autre ... 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