{"id":112181,"date":"2024-12-13T14:42:11","date_gmt":"2024-12-13T13:42:11","guid":{"rendered":"https:\/\/jazairhope.org\/?p=112181"},"modified":"2024-12-13T14:42:11","modified_gmt":"2024-12-13T13:42:11","slug":"forum-international-cinema-et-memoire-une-fenetre-sur-le-passe-un-projecteur-sur-lavenir","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/forum-international-cinema-et-memoire-une-fenetre-sur-le-passe-un-projecteur-sur-lavenir\/","title":{"rendered":"Forum international “Cin\u00e9ma et M\u00e9moire” : Une Fen\u00eatre sur le Pass\u00e9, un Projecteur sur l\u2019Avenir"},"content":{"rendered":"

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Du 9 au 11 d\u00e9cembre 2024, Alger a accueilli un \u00e9v\u00e9nement majeur : le Forum international “Cin\u00e9ma et M\u00e9moire”. Organis\u00e9 sous le haut patronage du pr\u00e9sident de la R\u00e9publique, M. Abdelmadjid Tebboune, et par le Centre Alg\u00e9rien de D\u00e9veloppement du Cin\u00e9ma (CADC) en collaboration avec le minist\u00e8re de la Culture et des Arts, ce forum s’inscrivait dans le cadre des c\u00e9l\u00e9brations du 70e anniversaire du d\u00e9clenchement de la Glorieuse R\u00e9volution de lib\u00e9ration.<\/p>\n

Avec la participation de chercheurs, d’experts, de r\u00e9alisateurs et de figures du secteur cin\u00e9matographique de 16 pays, cette \u00e9dition a mis en lumi\u00e8re le r\u00f4le crucial du cin\u00e9ma dans la pr\u00e9servation de la m\u00e9moire historique et la consolidation des valeurs de libert\u00e9 et de r\u00e9sistance. Ce rendez-vous intellectuel et culturel visait \u00e0 renforcer le cin\u00e9ma de r\u00e9sistance en Alg\u00e9rie et \u00e0 \u00e9largir le d\u00e9bat \u00e0 l\u2019\u00e9chelle internationale.<\/p>\n

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Une Vitrine pour le Cin\u00e9ma de R\u00e9sistance<\/strong><\/h3>\n

Le Forum “Cin\u00e9ma et M\u00e9moire” s’est ouvert avec une c\u00e9r\u00e9monie marqu\u00e9e par des hommages rendus aux pionniers du cin\u00e9ma r\u00e9volutionnaire alg\u00e9rien. Parmi les figures c\u00e9l\u00e8bres honor\u00e9es figuraient Amar Laskri, Tahar Hannache, Benamar Bakhti, Ahmed Rachedi et Rachid Bouchareb, mais aussi des cin\u00e9astes \u00e9trangers tels que Stevan Labudovic, Ren\u00e9 Vautier, Gillo Pontecorvo et Milton Alberto Diaz Canter, qui ont soutenu la R\u00e9volution alg\u00e9rienne \u00e0 travers leurs cam\u00e9ras et leurs \u0153uvres.<\/p>\n

Des expositions de mat\u00e9riels cin\u00e9matographiques historiques et des projections de documentaires, comme celui sur l\u2019histoire du cin\u00e9ma alg\u00e9rien, ont permis de red\u00e9couvrir les moyens mis en \u0153uvre pour immortaliser les \u00e9pop\u00e9es de la lutte de lib\u00e9ration nationale. Le film “Tayara Safra” (l’avion jaune) de la r\u00e9alisatrice alg\u00e9rienne Hadjer Sebata, pr\u00e9sent\u00e9 \u00e0 Skikda dans le cadre de la semaine du film historique, illustre bien cette volont\u00e9 de raconter des histoires marqu\u00e9es par la douleur et la r\u00e9silience.<\/p>\n

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Un Outil de Conscientisation et de R\u00e9sistance<\/strong><\/h3>\n

Le cin\u00e9ma alg\u00e9rien a \u00e9t\u00e9 au c\u0153ur de la lutte contre le colonialisme fran\u00e7ais, d\u00e9montrant la capacit\u00e9 des peuples \u00e0 r\u00e9sister \u00e0 l\u2019oppression. Des figures embl\u00e9matiques comme Mahmoud Guenez ont jou\u00e9 un r\u00f4le essentiel en formant les premiers cadreurs de l\u2019Arm\u00e9e de Lib\u00e9ration Nationale (ALN). Les films de r\u00e9sistance ont servi de “contre-propagande”, contrecarrant la narrative coloniale fran\u00e7aise. Le FLN a exploit\u00e9 l\u2019image comme une “arme douce” en mobilisant l\u2019opinion publique internationale et en montrant les souffrances du peuple alg\u00e9rien.<\/p>\n

Des universitaires et chercheurs pr\u00e9sents au forum, tels qu\u2019Ahmed Bedjaoui et A\u00efssa Ras El Ma, ont analys\u00e9 les trois phases de l\u2019\u00e9volution du cin\u00e9ma alg\u00e9rien : la p\u00e9riode coloniale, marqu\u00e9e par des \u0153uvres de propagande, la p\u00e9riode de r\u00e9sistance arm\u00e9e, et l\u2019apr\u00e8s-ind\u00e9pendance, marqu\u00e9e par des films accompagnant les choix strat\u00e9giques de l\u2019Etat alg\u00e9rien.<\/p>\n

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Un Soutien Politique Affirm\u00e9<\/strong><\/h3>\n

Sous l\u2019impulsion du pr\u00e9sident Abdelmadjid Tebboune, l\u2019Alg\u00e9rie entend raviver l\u2019\u00e9clat de son cin\u00e9ma. Les annonces du ministre de la Culture et des Arts, Zouhir Ballalou, confirment cette volont\u00e9 de soutenir les talents alg\u00e9riens et de renforcer l\u2019industrie cin\u00e9matographique nationale. Les mesures pr\u00e9vues incluent la cr\u00e9ation de villes cin\u00e9matographiques, le soutien financier allant jusqu’\u00e0 70% pour les \u0153uvres nationales et la r\u00e9alisation d\u2019\u00e9tablissements de production cin\u00e9matographique. Ce cadre est destin\u00e9 \u00e0 faciliter la production, la restauration et la distribution des films alg\u00e9riens, ancrant le cin\u00e9ma comme une composante essentielle de la m\u00e9moire collective.<\/p>\n

Le cin\u00e9ma de r\u00e9sistance transcende les fronti\u00e8res nationales. L\u2019appel \u00e0 cr\u00e9er des “groupements cin\u00e9matographiques” vise \u00e0 briser le monopole des grandes soci\u00e9t\u00e9s occidentales et \u00e0 d\u00e9velopper des r\u00e9seaux de production autonomes.<\/p>\n

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Des Recommandations pour l\u2019Avenir<\/strong><\/h3>\n

Lors de la cl\u00f4ture, le comit\u00e9 scientifique a pr\u00e9sent\u00e9 des recommandations cl\u00e9s. Il a appel\u00e9 \u00e0 renforcer la num\u00e9risation et la cr\u00e9ation d\u2019une banque num\u00e9rique du patrimoine cin\u00e9matographique alg\u00e9rien. La restitution des archives cin\u00e9matographiques stock\u00e9es \u00e0 l\u2019\u00e9tranger a \u00e9t\u00e9 jug\u00e9e essentielle pour pr\u00e9server l\u2019histoire et la m\u00e9moire nationale. Un th\u00e8me pour la prochaine \u00e9dition a \u00e9t\u00e9 propos\u00e9 : “Cin\u00e9ma et diplomatie culturelle : le r\u00f4le du soft power dans les transformations actuelles”.<\/p>\n

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Ce forum aura \u00e9t\u00e9 une v\u00e9ritable vitrine du cin\u00e9ma de r\u00e9sistance. Au-del\u00e0 des \u00e9crans, c\u2019est une strat\u00e9gie de souverainet\u00e9 culturelle qui s\u2019affirme, face \u00e0 la domination de l\u2019industrie cin\u00e9matographique mondiale.<\/p>\n

Hope & ChaDia<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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