elmoudjahid.com\u00a0 \u00a017.03.2021<\/p>\n
MOHAMED BOURAIB<\/p>\n
L\u2019ignorance crasse d\u2019un terrorisme aveugle a abattu un fleuron du th\u00e9\u00e2tre alg\u00e9rien, mis fin bestialement au parcours flamboyant d\u2019un homme de culture profond\u00e9ment enracin\u00e9 dans son terroir. Abdelkader Alloula est assassin\u00e9 un 10 mars 1994, de triste m\u00e9moire. La d\u00e9cennie noire ne l\u2019a pas \u00e9pargn\u00e9 ainsi que tant d\u2019autres braves. Peu importait aux sicaires qu\u2019il soit un c\u00e9l\u00e8bre dramaturge, qu\u2019il ait mont\u00e9 des pi\u00e8ces du vaste r\u00e9pertoire universel, qu\u2019il soit familier de Gorki, Goldoni, Gogol, Tch\u00e9khov ou Dosto\u00efevski, qu\u2019il ait consacr\u00e9 sa vie enti\u00e8re au th\u00e9\u00e2tre, qu\u2019il voulait comme un vecteur de combat contre l\u2019arri\u00e9ration, le sous d\u00e9veloppement, les traditions archa\u00efques.<\/p>\n
Alloula s\u2019est beaucoup investi au service d\u2019une culture qui \u00e9claire les esprits. Il a contribu\u00e9 \u00e0 la cr\u00e9ation et au fonctionnement de l\u2019Institut national d\u2019art dramatique de Bordj El Kiffan. Acteur de talent, il joua dans \u00abRoses rouges pour moi\u00bb, d\u2019Allel El Mouhib, \u00abla M\u00e9g\u00e8re apprivois\u00e9e\u00bb, mis en sc\u00e8ne \u00abL\u2019ogresse\u00bb, \u00able sultan embarrass\u00e9\u00bb, interpr\u00e9ta et r\u00e9alisa des pi\u00e8ces de Sophocle, Shakespeare, Aristophane. Il a \u00e9crit \u00abEl Alleg\u00bb (les sangsues), \u00abEl Khobza\u00bb, \u00abHomk Salim\u00bb (premier monologue th\u00e9\u00e2tral alg\u00e9rien),\u00a0\u00able journal d\u2019un fou\u00bb, \u00abHout Yakoul hout\u00bb, \u00abHammam Rabi\u00bb, \u00abEl Adjouad\u00bb, \u00abEl Litham\u00bb\u2026 Alloula fut aussi sollicit\u00e9 par le cin\u00e9ma en interpr\u00e9tant divers r\u00f4les sous la conduite de r\u00e9alisateurs r\u00e9put\u00e9s.<\/strong><\/p><\/blockquote>\n
Son th\u00e9\u00e2tre est le t\u00e9moin d\u2019une g\u00e9n\u00e9rosit\u00e9 \u00e0 fleur de peau, d\u2019une \u00e9coute attentive des pr\u00e9occupations de la soci\u00e9t\u00e9, \u00e0 qui il donna la parole. Dot\u00e9 d\u2019un caract\u00e8re entier, Alloula a longtemps anim\u00e9 un th\u00e9\u00e2tre impr\u00e9gn\u00e9 des pulsions de la cit\u00e9, maniant, avec dext\u00e9rit\u00e9, l\u2019arabe populaire qu\u2019il a constamment d\u00e9fendu. Il n\u2019h\u00e9sitait pas \u00e0 faire du th\u00e9\u00e2tre un domaine interactif, dans lequel il invite des intellectuels, des universitaires et des journalistes \u00e0 d\u00e9battre. Dans une interview accord\u00e9e \u00e0 M. Djellid, Alloula fournit les raisons qui le poussent \u00e0 \u00e9crire.<\/p>\n
\u00abJ\u2019\u00e9cris pour notre peuple, avec une perspective fondamentale\u00a0: son \u00e9mancipation pleine et enti\u00e8re. Je veux lui apporter des outils, des questions, des pr\u00e9textes, des id\u00e9es, avec lesquels, tout en le divertissant, il trouve mati\u00e8re et moyens de se ressourcer, de se revitaliser, pour se lib\u00e9rer et aller de l\u2019avant. Mes h\u00e9ros sont des hommes de tous les jours, des gens du commun.\u00bb<\/strong><\/p><\/blockquote>\n
Il met en exergue l\u2019importance du r\u00f4le d\u2019\u00e9veil civique de l\u2019activit\u00e9 th\u00e9\u00e2trale. Celui qui se voyait d\u00e9j\u00e0 h\u00e9ritier d\u2019Ould Abderrahmane Kaki et Kateb Yacine avait \u00abmis en place une r\u00e9elle r\u00e9flexion th\u00e9orique sur le th\u00e9\u00e2tre alg\u00e9rien, saisissant d\u00e8s le d\u00e9part la n\u00e9cessit\u00e9 d\u2019adapter sa formation effectu\u00e9e selon des m\u00e9thodes occidentales, \u00e0 sa propre culture. Il \u00e9tait soucieux de donner au quatri\u00e8me art les outils didactiques n\u00e9cessaires qui lui permettent de r\u00e9percuter sur les planches la r\u00e9alit\u00e9 et les pr\u00e9occupations de la soci\u00e9t\u00e9 alg\u00e9rienne.<\/p>\n
La Halqa, essence du th\u00e9\u00e2tre alg\u00e9rien<\/strong><\/p>\n
Abdelkader Alloula parvient, apr\u00e8s de longues recherches, \u00e0 la conception d\u2019une sc\u00e9nographie minimaliste, quasiment sans d\u00e9cor, faite d\u2019une combinaison judicieuse de la \u00abhalqa\u00bb et l\u2019architecture du th\u00e9\u00e2tre \u00e0 l\u2019italienne.\u00a0 La disposition du public en forme de cercle l\u2019incitera \u00e0 tirer profit de cette proximit\u00e9 pour cr\u00e9er le personnage du \u00abGouwal\u00bb, qui appara\u00eet apr\u00e8s un brouhaha provoqu\u00e9 par des com\u00e9diens se d\u00e9pla\u00e7ant dans tous les sens, puis, qui s\u2019arr\u00eatent et se taisent brusquement.\u00a0Dans ce bel \u00e9lan, il ira jusqu\u2019\u00e0 faire participer quelques spectateurs, auxquels seront confi\u00e9es les premi\u00e8res r\u00e9pliques du spectacle qui poseront les termes du sujet \u00e0 traiter et le mettront en situation. Alloula va aussi s\u2019investir dans l\u2019un des plus importants chantiers de son \u0153uvre, la qu\u00eate de la langue interm\u00e9diaire, \u00e0 travers une recherche approfondie et minutieuse de la parole juste, puis\u00e9e du terroir et \u00e0 la port\u00e9e de tous. Le drame interviendra, alors qu\u2019il \u00e9tait en train de terminer une adaptation du \u00abTartuffe\u00bb de Moli\u00e8re.<\/p>\n
Il est victime d\u2019un attentat perp\u00e9tr\u00e9 par un tueur fanatis\u00e9, sur le chemin du Palais de la culture \u00e0 Oran. Alloula devait figurer en tant que conf\u00e9rencier. C\u2019\u00e9tait un soir de ramadhan, apr\u00e8s le f\u2019tour. Il fut enterr\u00e9 le 16 mars 1994. Oran est sortie pour son fils prodigue. Des gens sont venus de tous les coins d\u2019Alg\u00e9rie pour lui dire adieu, pour condamner le crime abject.<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
elmoudjahid.com\u00a0 \u00a017.03.2021 MOHAMED BOURAIB L\u2019ignorance crasse d\u2019un terrorisme aveugle a abattu un fleuron du th\u00e9\u00e2tre alg\u00e9rien, mis fin bestialement au parcours flamboyant…<\/p>\n","protected":false},"author":61,"featured_media":12093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[32,34,42],"tags":[],"class_list":["post-12092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-algerie","category-art-fr","category-histoire-et-patrimoine"],"yoast_head":"\n
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