A\u00efssa Jarmouni. Conter un pays, d\u00e9cliner une identit\u00e9.<\/p>\n
\u00c9l\u00e9ments pour une g\u00e9opo\u00e9tique du monde Chaouia
\nZineb Ali-Benali
\nDans\u00a0\u00c9tudes et Documents Berb\u00e8res\u00a02019\/1 (N\u00b0\u00a041), pages 31 \u00e0 42<\/p>\n
Au milieu des ann\u00e9es\u00a01930, probablement en\u00a01937, A\u00efssa Jarmouni chante \u00e0 l\u2019Olympia de Paris et fait entendre pour la premi\u00e8re fois \u00ab\u00a0une voix africaine\u00a0\u00bb.<\/p>\n
Dans les deux langues qu\u2019il pratique, le chaouia et l\u2019arabe alg\u00e9rien de sa r\u00e9gion, il fait entendre un pays. Dress\u00e9 sur la sc\u00e8ne, v\u00eatu comme \u00e0 son habitude de la gandoura et du burnous blancs, la t\u00eate entour\u00e9e du cheich dont le blanc est soulign\u00e9 par la cordelette brune (alqitan), il entonne \u00ab\u00a0nous les chaouias \/ Ne dites pas ils sont soumis\u00a0\u00bb\u00a0: \u00ab\u00a0Ahna \u2018Chaouia \/ Ma tgoulichi dhelu\u00a0\u00bb.<\/p><\/blockquote>\n
Quel est l\u2019itin\u00e9raire qui va mener un chanteur populaire, orphelin, berger fils de paysan, n\u00e9 dans en pays chaouia, \u00e0 se produire dans une salle de spectacle parisien ? \u00c0 Paris, ce sont surtout des travailleurs immigr\u00e9s qui vont venir l\u2019\u00e9couter, m\u00eame s\u2019il y eut d\u2019autres spectateurs. Dans les caf\u00e9s nord-africains, comme on disait alors, on \u00e9coutait d\u00e9j\u00e0 les disques qu\u2019il avait d\u00e9j\u00e0 enregistr\u00e9s.<\/p>\n
Sans exclure la part de hasard (notamment sa voix exceptionnelle), on peut r\u00e9fl\u00e9chir \u00e0 la conjonction entre une histoire singuli\u00e8re et le moment historique.<\/p>\n
Les ann\u00e9es\u00a01930\u00a0sont celles de la c\u00e9l\u00e9bration du Centenaire de la colonisation. Quelques mois avant\u00a01930\u00a0et apr\u00e8s cette date, les manifestations politiques et culturelles sont nombreuses.<\/p>\n
La colonisation semblait s\u2019inscrire dans la p\u00e9rennit\u00e9, mais d\u00e9j\u00e0 des ombres se profilaient, celles d\u2019une contestation qui n\u2019avait jamais cess\u00e9, m\u00eame au temps o\u00f9 elle semblait \u00e0 peine visible et du c\u00f4t\u00e9 du colonat des voix exprimaient \u00ab\u00a0une sourde inqui\u00e9tude\u00a0\u00bb\u2026<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
A\u00efssa Jarmouni. Conter un pays, d\u00e9cliner une identit\u00e9. \u00c9l\u00e9ments pour une g\u00e9opo\u00e9tique du monde Chaouia Zineb Ali-Benali Dans\u00a0\u00c9tudes et Documents Berb\u00e8res\u00a02019\/1 (N\u00b0\u00a041),…<\/p>\n","protected":false},"author":1,"featured_media":26608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[32,34,42],"tags":[],"class_list":["post-26606","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-algerie","category-art-fr","category-histoire-et-patrimoine","post_format-post-format-video"],"yoast_head":"\n
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