{"id":34187,"date":"2021-10-23T08:02:29","date_gmt":"2021-10-23T08:02:29","guid":{"rendered":"https:\/\/jazairhope.org\/?p=34187"},"modified":"2021-10-22T20:32:03","modified_gmt":"2021-10-22T20:32:03","slug":"a-ain-sefra-les-femmes-du-diwane-sortent-de-lombre","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/a-ain-sefra-les-femmes-du-diwane-sortent-de-lombre\/","title":{"rendered":"\u00c0 Ain Sefra, les femmes du Diwane sortent de l\u2019ombre"},"content":{"rendered":"

\u00c0\u00a0Ain Sefra<\/a>, la troupe de Lalla Kheira de Gharda\u00efa, compos\u00e9e de femmes, a fait sensation au 13\u00e8me\u00a0Festival<\/a>\u00a0national culturel de musique Diwane qui se d\u00e9roule depuis le 17 octobre 2021.<\/p>\n

Kheira Bouchareb et sa troupe sont mont\u00e9es sur sc\u00e8ne, mardi 19 octobre au soir au stade Mohamed Arfaoui, suscitant les applaudissements parmi le public nombreux. Il est rare que des femmes jouent de la musique Diwane sur sc\u00e8ne, domaine r\u00e9serv\u00e9 aux hommes.<\/p>\n

\"\"<\/a><\/figure>\n

La troupe est mont\u00e9e pour la premi\u00e8re fois sur sc\u00e8ne en Tunisie. Ain Sefra est la deuxi\u00e8me grande sc\u00e8ne, un deuxi\u00e8me bapt\u00eame.<\/p>\n

Kheira Bouchareb, Dalila Mustapha, Malika Hadjyoub, Zohra Siradj, Hanane Benzait, Zahira Bouchareb, au karkabou, au gumbri, au dendoun, \u00a0au tbal, accompagn\u00e9es d\u2019Imad Chitour, au gumbri, ont conquis les pr\u00e9sents d\u00e8s les premiers sons. V\u00eatus de robes couleurs vives, allant du vert \u00e0 l\u2019orange en passant par le rouge, les femmes du Diwane ont marqu\u00e9 leur espace par le chant et la danse. Beaucoup de rythmes et d\u2019action sur une sc\u00e8ne domin\u00e9e des deux c\u00f4t\u00e9s, les koyos n\u2019ont pas h\u00e9sit\u00e9 \u00e0 faire des pas de danse sous les projecteurs.<\/p>\n

\u00ab\u00a0Les bradj chant\u00e9s par les femmes sont plus rythm\u00e9s\u00a0\u00bb<\/strong><\/h2>\n


\n<\/strong>Des bradj (chants) connus ont \u00e9t\u00e9 interpr\u00e9t\u00e9s avec peu de parole, la place est r\u00e9serv\u00e9e au jeu de percussion donnant \u00e0 la soir\u00e9e une allure festive.<\/p>\n

\u00ab\u00a0Nous avons appris les textes \u00e0 l\u2019\u00e9coute. Et nous nous sommes adapt\u00e9es. Il faut donner une certaine forme au diwan sur sc\u00e8ne. Les Bradj chant\u00e9s par les femmes sont plus rythm\u00e9s par rapport \u00e0 ceux interpr\u00e9t\u00e9s par les hommes \u00ab\u00a0, pr\u00e9cise Kheira Bouchareb, maalma de la troupe Lalla Kheira de Gharda\u00efa.<\/p>\n

\"\"<\/a><\/figure>\n

A Gharda\u00efa, la troupe de Lalla Kheira, qui existe depuis 2007, anime des f\u00eates de mariages. \u00ab\u00a0Dans la r\u00e9gion du M\u2019zab, la musique diwane est pr\u00e9sente dans toutes les f\u00eates. Il a une place particuli\u00e8re\u00a0\u00bb, souligne-t-elle.<\/p>\n

Par le pass\u00e9, \u00e0 B\u00e9char, Hasna El Becharia, grande invit\u00e9e de la soir\u00e9e de cl\u00f4ture du festival pr\u00e9vue jeudi 21 octobre, \u00e9tait la premi\u00e8re femme \u00e0 jouer du gumbri en public en Alg\u00e9rie, cassant un tabou.<\/p>\n

Maryama Hadj Youb, premi\u00e8re joueuse de gumbri dans la vall\u00e9e du M\u2019Zab<\/strong><\/h2>\n


\n<\/strong>\u00ab\u00a0Et bien, \u00e0 Gharda\u00efa, ma m\u00e8re, Maryama Hadj Youb jouait \u00e9galement au gumbri en public, mais elle \u00e9tait moins connue. Elle nous a encourag\u00e9s \u00e0 s\u2019engager dans la voie du Diwane. C\u2019est gr\u00e2ce \u00e0 elle que j\u2019ai appris \u00e0 jouer du guembri. Le Diwane est un h\u00e9ritage partag\u00e9 en famille\u00a0\u00bb, pr\u00e9cise Kheira Bouchareb.<\/p>\n

\u00ab\u00a0A la maison, tout le monde joue du karkabou. J\u2019ai appris \u00e0 en jouer depuis mon jeune \u00e2ge. A la mhalla de Sidi Blal \u00e0 El Atteuf, nous organisons annuellement des waadate qui durent trois ou quatre jours. Nous y animons une partie des soir\u00e9es mais elles sont uniquement consacr\u00e9es aux femmes\u00a0\u00bb, ajoute-t-elle.<\/p>\n

\n
\"\"<\/a><\/figure>\n<\/div>\n

La troupe de Lalla Kheira a-t-elle bris\u00e9 un tabou ? \u00ab\u00a0Oui, nous avons d\u00e9pass\u00e9 certaines limites. Mais, les gens commencent \u00e0 s\u2019y habituer. Nous avons h\u00e9rit\u00e9 ce courage de notre m\u00e8re qui chaque ann\u00e9e organisait une waada, rassemblait les gens autour du diwan (avec un d\u00eener). Apr\u00e8s sa mort, nous avons pris le relais\u00a0\u00bb, \u00a0confie Kheira Bouchareb.<\/p>\n

Et de poursuivre : \u00a0\u00ab\u00a0J\u2019ai vu comment ma m\u00e8re jouait le gumbri. Et d\u00e8s que j\u2019ai eu l\u2019instrument entre les mains, j\u2019ai constat\u00e9 que je pouvais le jouer facilement\u2026\u00a0\u00bb.<\/p>\n

Un guembri \u00e0 la forme ronde<\/strong><\/h2>\n


\n<\/strong>Durant la m\u00eame soir\u00e9e, la troupe Dendoun de Biskra a donn\u00e9 de l\u2019espace \u00e0 l\u2019expression chor\u00e9graphique qui accompagne le chant et qui l\u2019explique. En haoussa, en bambara, en tachelhit ou en arabe, les chants diwan racontent souvent une histoire, \u00e9voquent une l\u00e9gende ou une ancienne croyance. \u00ab\u00a0Nous avons pr\u00e9sent\u00e9 les danses du chasseur et du bahri (marin).<\/p>\n

Les danseurs \u00e9taient habill\u00e9s en noir, puis en vert. Pour les bradj, nous avons commenc\u00e9 par \u00ab\u00a0Noubat salhine\u00a0\u00bb, encha\u00eene avec \u00ab\u00a0Bania\u00a0\u00bb\u00a0\u00bb, indique Karim Benbelkhir, ma\u00e2lem de la troupe.<\/p>\n

Selon lui, le rythme du diwan jou\u00e9 \u00e0 Biskra est diff\u00e9rent de celui d\u2019Ain Sefra. \u00ab\u00a0Mais, l\u2019origine reste la m\u00eame\u00a0\u00bb, appuie-t-il. La troupe de Dendoun Biskra, qui existe depuis 1999, utilise le guembri de forme ronde, ce qui est une particularit\u00e9 de cet instrument dans l\u2019Est et le Sud-ouest alg\u00e9rien (Constantine, Biskra, Batna, Touggourt\u2026).<\/p>\n

\n
Par\u00a0Fay\u00e7al M\u00e9taoui<\/span><\/div>\n
21\/10\/2021\u00a0<\/span><\/div>\n
24hdz.com<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00c0\u00a0Ain Sefra, la troupe de Lalla Kheira de Gharda\u00efa, compos\u00e9e de femmes, a fait sensation au 13\u00e8me\u00a0Festival\u00a0national culturel de musique Diwane qui…<\/p>\n","protected":false},"author":61,"featured_media":34188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[34,53],"tags":[],"class_list":["post-34187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fr","category-le-sahara-algerien"],"yoast_head":"\n\u00c0 Ain Sefra, les femmes du Diwane sortent de l\u2019ombre - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/a-ain-sefra-les-femmes-du-diwane-sortent-de-lombre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 Ain Sefra, les femmes du Diwane sortent de l\u2019ombre - 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