{"id":37475,"date":"2021-11-24T18:34:08","date_gmt":"2021-11-24T18:34:08","guid":{"rendered":"https:\/\/jazairhope.org\/?p=37475"},"modified":"2021-11-24T19:17:32","modified_gmt":"2021-11-24T19:17:32","slug":"korandje-un-album-de-chansons-dedie-a-la-preservation-du-parler-de-la-region-de-tabelbala","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/korandje-un-album-de-chansons-dedie-a-la-preservation-du-parler-de-la-region-de-tabelbala\/","title":{"rendered":"“Korandj\u00e9”, un album de chansons d\u00e9di\u00e9 \u00e0 la pr\u00e9servation du parler de la r\u00e9gion de Tabelbala"},"content":{"rendered":"

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ALGER – “Korandj\u00e9” (le parler de Tabelbala), est l\u2019intitul\u00e9 d\u2019un premier CD de six chansons, produit par le Haut commissariat \u00e0 l\u2019Amazighit\u00e9 (HCA) et d\u00e9di\u00e9 \u00e0 la pr\u00e9servation de cette langue menac\u00e9e de disparition, constitu\u00e9e principalement de Songhai, langue nilo-saharienne parl\u00e9e dans plusieurs pays du Sahel, et enrichie de Tamazight et d’Arabe.<\/strong><\/p>\n

Con\u00e7us et interpr\u00e9t\u00e9s par Mostefa Mekhloufi sur des textes de sa plume, les six titres de cet album qui contribue \u00e0 la “r\u00e9habilitation de l\u2019Amazighit\u00e9 et de sa promotion linguistique et artistique”, invitent les m\u00e9lomanes \u00e0 une belle randonn\u00e9e onirique aux contenus autochtones et aux formes modernes ouvertes sur le monde.<\/p>\n

Faisant rena\u00eetre dans l\u2019imaginaire du r\u00e9cepteur, le silence et la sagesse des grandes \u00e9tendues, les pi\u00e8ces de ce nouveau venu dans la grande phonoth\u00e8que anthropologique du patrimoine alg\u00e9rien, sont mont\u00e9es, en une trentaine de minutes, sur des cadences ternaires lentes, source de m\u00e9ditation rendue par une vari\u00e9t\u00e9 de percussions, et des sonorit\u00e9s denses du Oud (luth) et du goumbri.<\/strong><\/p><\/blockquote>\n

Evoquant des th\u00e9matiques en lien avec, l\u2019appel profond de la patrie, l\u2019espoir, la langue maternelle, la relation au p\u00e8re, la paix et la tol\u00e9rance ainsi que la pluie, comme signe porteur de bienfaits symbolisant la vie, les textes de Mostefa Mekhloufi, interpellent l\u2019individu dans les profondeurs de son \u00eatre, \u00e0 travers des variations m\u00e9lodiques au mode essentiellement pentatonique, habill\u00e9es par des arrangements esth\u00e9tiques.<\/p>\n

Relay\u00e9 par les ch\u0153urs de Abdessalem Abdou et Ali Soudani, sur les cadences de Slimane Bourouga\u00e2 et Boualem Ouseghir, Mostefa Mekhloufi, \u00e0 la voix sereine et accrocheuse, a notamment rendu dans un ton apais\u00e9, les pi\u00e8ces, “A\u00e2ba \u00e2emyar” (envie d’un retour), “Tamissi” (comment serait-ce possible), “Kwarandi” (variante linguistique locale de Tabelbala), “A\u00e2nebba” (papa), Maghnissi (Paix sur toi) et “Baghni” (Pluie).<\/p>\n

Le Korandj\u00e9 est “concentr\u00e9 dans les villages de Kwara (Zaou\u00efa), Ifrnyu (Chera\u00efa) et Yami (Mahkhlouf), autour de l’oasis de Tabelbala dans la wilaya de B\u00e9ni Abb\u00e9s, au Sud-Ouest de l’Alg\u00e9rie”.<\/p>\n

La sortie de cet album est la “premi\u00e8re phase” d’un “processus de sauvegarde” entrepris par le HCA qui r\u00e9pond \u00e0 l’urgence absolue exprim\u00e9e en f\u00e9vrier 2021 par les citoyens de la r\u00e9gion de Tabelballa “soucieux de la pr\u00e9servation et du devenir” du “Korandji” qui figure sur la liste des langues menac\u00e9es de disparition, comme le signale officiellement l\u2019Unesco dans ses rapports.<\/strong><\/p><\/blockquote>\n

Soutenu par l’APS, la Radio alg\u00e9rienne, la Commission nationale alg\u00e9rienne pour la Science et l’Education, ainsi que par l’Organisation des Nations unies pour l’Education, la Science et la Culture ( Unesco), “Korandj\u00e9” est un album qui n'”est pas destin\u00e9 \u00e0 la vente”, ayant pour seule vocation de mettre cette variante linguistique et ce parler unique en Alg\u00e9rie, \u00e0 la disposition des “relais institutionnels de recherche et d\u2019\u00e9ducation”, qui contribueront \u00e0 sa “description puis sa pr\u00e9servation”.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

Source\u00a0: https:\/\/www.aps.dz\/culture\/131316-korandje-un-album-de-chansons-dedie-a-la-preservation-du-parler-de-la-region-de-tabelbala<\/a><\/p>\n

Traduction de la chanson par un anglophone :<\/p>\n

\u0639\u0628\u0627\u0639\u0645\u064a\u0631 \u0643\u064f\u0627\u0631\u0627 \u0639\u0628\u0627\u0639\u0645\u064a\u0631 <\/span><\/span>
\n\u0295-ba\u0295am-y\u0259r k\u02b7a\u0323ra\u0323, \u0295-ba\u0295am-y\u0259r<\/b>
\nI wanna go back home, I wanna go back,<\/p>\n

\u062a\u0643\u0651\u064f\u0627\u0631\u064a \u0646\u062f\u0627 \u0627\u062f\u0631\u0627 \u0646 \u0644\u0647\u0648\u0627 \u0627\u0628\u064a\u0633\u062d\u0631 <\/span><\/span>
\nts\u0259kk\u02b7a\u0323r\u0259y ndz\u2019 adr\u0323a\u0323 n l\u0259hwa a-b-yis\u0127\u0259r<\/b>
\nThe sand and the mountain air are enchanting,<\/p>\n

\u0639\u0628\u0627\u0639\u0645\u064a\u0631 \u0643\u064f\u0627\u0631\u0627 \u0639\u0628\u0627\u0639\u0645\u064a\u0631 <\/span><\/span>
\n\u0295-ba\u0295am-y\u0259r k\u02b7a\u0323ra\u0323, \u0295-ba\u0295am-y\u0259r<\/b>
\nI wanna go back home, I wanna go back.<\/p>\n

\u0648\u0645\u0651\u0648\u063a\u064a\u0633\u064a\u060c \u0639\u0628\u0627\u0639\u0645\u064a\u0631\u0646\u064a\u0633\u064a <\/span><\/span>
\nw\u0259-m\u0323m\u0323\u0259\u0323w-\u0263\u0259y-si, \u0295-ba\u0295am-t-ndzi-si<\/b>
\nY’all listen up, I wanna tell you all,<\/p>\n

\u0627\u0648\u063a \u0627\u0643\u0651\u0633 \u0627\u0646 \u0643\u064f\u0627\u0631\u0627\u060c \u062a\u0648\u063a\u0627 \u0627\u06a4\u0651\u064f\u0627\u0633\u064a <\/span><\/span>
\nu\u0263 \u0259kk\u0259s an k\u02b7a\u0323ra\u0323, tsu\u0263a\u0323 ggwa\u0323-a-si<\/b>
\nSomeone who abandons his hometown, what’s left for him?<\/p>\n

\u0639\u0628\u0627\u0639\u0645\u064a\u0631 \u0643\u064f\u0627\u0631\u0627 \u0639\u0628\u0627\u0639\u0645\u064a\u0631 <\/span><\/span>
\n\u0295-ba\u0295am-y\u0259r k\u02b7a\u0323ra\u0323, \u0295-ba\u0295am-y\u0259r<\/b>
\nI wanna go back home, I wanna go back.<\/p>\n

\u0627\u0644\u0644\u0647 \u0627\u0644\u0644\u0647\u060c \u06a4\u0627\u064a\u0648 \u0632\u0651\u064a\u0646\u064a\u0648 \u0628\u0627\u064a\u0648 <\/span><\/span>
\n\u0259l\u0323l\u0323a\u0323h \u0259l\u0323l\u0323a\u0323h, ga\u0323-yu zzin-yu ga\u0323-yu<\/b>
\nO Lord O Lord, the old houses,<\/p>\n

\u06a4\u0627\u064a\u0648\u060c \u0628\u0627\u064a\u0648 \u0646\u062f\u0627 \u0644\u063a\u0627\u062f\u064a\u0627\u064a\u0648 <\/span><\/span>
\nga\u0323-yu, ba\u0323-yu ndza l\u0263adya-yu<\/b>
\nThe houses, the people and the ???s,<\/p>\n

\u06a4\u064f\u0646\u062f \u0639\u0641\u0651\u0643\u0651\u0631 \u0643\u064f\u0627\u0631\u0627\u060c \u0639\u0627\u0647\u064a\u0648 <\/span><\/span>
\ngundz \u0295a-f-f\u0259kk\u0259r\u0323 k\u02b7a\u0323r\u0323a\u0323, \u0295a-hyu<\/b>
\nWhen I remembered the hometown, I cried.<\/p>\n

\u0639\u0628\u0627\u0639\u0645\u064a\u0631 \u0643\u064f\u0627\u0631\u0627 \u0639\u0628\u0627\u0639\u0645\u064a\u0631 <\/span><\/span>
\n\u0295-ba\u0295am-y\u0259r k\u02b7a\u0323ra\u0323, \u0295-ba\u0295am-y\u0259r<\/b>
\nI wanna go back home, I wanna go back.<\/p>\n

\u062a\u0627\u0645\u064a\u0633\u0627 \u0639\u0628\u0627\u0639\u0645\u062f\u063a\u0646\u0646\u064a\u060c \u062a\u0627\u0645\u0633\u0651\u062e \u0645\u0627 \u0643\u064f\u0646\u0651\u0627\u0646\u064a <\/span><\/span>
\ntsamis a \u0295-ba\u0295am-d\u0263\u0259n-ni, tsam\u0259ss\u0259x ma kunna ni!<\/b>
\nHow could I forget you, how \u2013 what’s wrong with you!<\/p>\n

\u06a4\u064f\u0627 \u0628\u0627\u064a\u0628\u0627\u0647\u0646\u06a4\u0627\u0646\u064a\u060c \u0622 \u0646\u0645\u0628\u063a\u0633\u064a \u0648\u0627\u0631\u0627\u0646\u064a <\/span><\/span>
\ngwa\u0323 ba\u0323-i-ba-hanga-ni; a n\u0259n b\u0259\u0323n\u0263-si wara ni<\/b>
\nStay, people are following you; ah, (stay) for yourself too!<\/p>\n

\u062a\u0627\u0645\u064a\u0633\u0627 \u0639\u0628\u0627\u0639\u0645\u062f\u063a\u0646\u0646\u064a\u060c \u062a\u0627\u0645\u0633\u0651\u062e \u0645\u0627 \u0643\u064f\u0646\u0651\u0627\u0646\u064a <\/span><\/span>
\ntsamis a \u0295-ba\u0295am-d\u0263\u0259n-ni, tsam\u0259ss\u0259x ma kunna ni!<\/b>
\nHow could I forget you, how \u2013 what’s wrong with you!<\/p>\n

\u0627\u0642\u0651\u0627 \u0639\u0642\u0651\u0648\u0645 \u0639\u0645\u0632\u0648\u0646\u064a\u060c \u0639\u0645\u0632\u0648\u0646\u064a <\/span><\/span>
\n\u0259gga \u0295a-ggum \u0295a-m-z\u0259w-ni, \u0295a-m-z\u0259w-ni \u2013 \u0259gga \u0295a-ggum<\/b>
\nI had sworn to marry you, to marry you<\/p>\n

\u0646\u0632\u0651\u0648 \u0627\u0641\u064a\u0637 \u0646\u0643\u0651\u0633\u063a\u064a <\/span><\/span>
\nn\u0259-zz\u0259w a-fy\u0259t\u0323 n\u0259-kk\u0259s-\u0263i<\/b>
\nYou married another and left me;<\/p>\n

\u062a\u0627\u0645\u0633\u0651\u062e \u0645\u0627 \u0643\u064f\u0646\u0651\u0627\u0646\u064a <\/span><\/span>
\ntsam\u0259ss\u0259x ma kunna ni!<\/b>
\nHow \u2013 how could you!<\/p>\n

\u0646\u0646 \u0644\u0642\u0628\u064a\u0644\u062a \u0627\u0633\u0628\u063a\u063a\u064a\u060c \u0627\u0633\u0628\u063a\u063a\u064a <\/span><\/span>– \u0646\u0646 \u0644\u0642\u0628\u064a\u0644\u062a <\/span><\/span>
\nnn l\u0259qbil\u0259t a-s-b\u0259\u0263-\u0263\u0259y, a-s-b\u0259\u0263-\u0263\u0259y \u2013 nn l\u0259qbil\u0259t<\/b>
\nYour tribe doesn’t like me, doesn’t like me \u2013 your tribe;<\/p>\n

\u0625\u062f\u0631\u0627\u0645\u0646 \u0627\u0633\u0628\u0627\u063a\u064a\u0633\u064a <\/span><\/span>
\nidr\u0323a\u0323m\u0259n \u0259s-ba\u0323-\u0263\u0259y-si<\/b>
\nI don’t have money<\/p>\n

\u0622\u063a\u064a \u0639\u0645\u0628\u064a\u0646 \u0627\u0643\u0651\u064f\u0627\u0631\u064a\u060c \u0646\u0628\u0651\u064a \u0645\u0633\u0651\u062e \u0645\u0646 \u0628\u0643\u0631\u064a <\/span><\/span>
\na\u0263\u0259y \u0295an bin \u0259k-kwa\u0323r\u0259y, n\u0259-b-b\u0259y m\u0259ss\u0259x m\u0259n b\u0259kri<\/b>
\nBut my heart is clear, you’ve always known that<\/p>\n

\u062a\u0627\u0645\u0633\u0651\u062e \u0645\u0627 \u0643\u064f\u0646\u0651\u0627 \u0646\u064a <\/span><\/span>
\ntsam\u0259ss\u0259x ma kunna ni!<\/b>
\nHow \u2013 how could you!<\/p>\n

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