{"id":37559,"date":"2021-11-26T09:01:13","date_gmt":"2021-11-26T09:01:13","guid":{"rendered":"https:\/\/jazairhope.org\/?p=37559"},"modified":"2021-11-25T13:33:44","modified_gmt":"2021-11-25T13:33:44","slug":"il-nous-a-quittes-en-novembre-1978-el-anka-limmortel-cardinal","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/il-nous-a-quittes-en-novembre-1978-el-anka-limmortel-cardinal\/","title":{"rendered":"Il nous a quitt\u00e9s en novembre 1978 El Anka: l’immortel Cardinal"},"content":{"rendered":"
\n

En plus d’avoir \u00e9t\u00e9 le fondateur d’un tout nouveau style musical qui allait \u00e9branler la chanson alg\u00e9rienne de fort belle mani\u00e8re, El Anka demeure \u00e0 ce jour l’un des meilleurs interpr\u00e8tes, tous styles cha\u00e2bis confondus. Son univers musical est infini. C’est un oc\u00e9an qui n’a pas de fond ni de limites. Chaque f\u00eate qu’il avait anim\u00e9e durant sa tr\u00e8s longue carri\u00e8re est un v\u00e9ritable r\u00e9gal pour les amoureux du style cha\u00e2bi. Car, El Anka innove et improvise \u00e0 chacune de ses nouvelles prestations. Ce qui repr\u00e9sente d’ailleurs l’une des originalit\u00e9s de la chanson cha\u00e2bie dont les dignes h\u00e9ritiers ont \u00e9t\u00e9 Boudjema\u00e2 El Ankis, Amar Ezzahi, El Hachemi Guerrouabi, etc. Tous se sont inspir\u00e9s, ont imit\u00e9 et ont puis\u00e9 dans le g\u00e9nie inextinguible d’El Hadj Mhamed El Anka. Boudjema\u00e2 El Ankis n’a d’ailleurs pas h\u00e9sit\u00e9 \u00e0 lui piquer fi\u00e8rement son surnom en le d\u00e9formant un petit peu. M\u00eame Amar Ezzahi avait au d\u00e9part opt\u00e9 pour un nom d’artiste directement inspir\u00e9 d’El Anka mais a fini par se laisser dissuader pour des raisons \u00e9videntes. C’est dire \u00e0 quel point l’empreinte laiss\u00e9e par El Anka est tr\u00e8s forte. \u00c0 ce jour, on continue de consid\u00e9rer El Anka comme une grande \u00e9cole du cha\u00e2bi. Il est la r\u00e9f\u00e9rence absolue et incontestable.<\/p>\n

De la Kabylie\u00a0<\/strong>\u00e0 la Casbah<\/strong>
\nEl Anka a v\u00e9cu dans le fief de la chanson cha\u00e2bie, la casbah d’Alger. Originaire de Kabylie, El Anka a interpr\u00e9t\u00e9 quelques chansons en kabyle dont la c\u00e9l\u00e8bre Izriw yeghlev lahmali, magistralement reprise par Matoub Loun\u00e8s qui l’a convertie en une \u00e9mouvante chanson d’amour. El Anka qui est d\u00e9c\u00e9d\u00e9 le 23 novembre 1978 est n\u00e9 le 20 mai 1907 au village Taguersift entre Fr\u00e9ha et Aghrib. Son v\u00e9ritable nom est Mohamed Idir Ait Ouarab. La zone qui s’\u00e9tale de Fr\u00e9ha jusqu’\u00e0 Azeffoun est connue pour \u00eatre le berceau de nombreuses sommit\u00e9s de la chanson et de la culture puisqu’en plus d’El Anka, elles ont donn\u00e9 Boudjema\u00e2 El Ankis, Mohamed Fellag, Hanifa, Mohamed Iguerbouch\u00e8ne, Mohamed Issiakhem, Tahar Djaout, Rouiched, Mohamed Hilmi, Yvan Tetelbom, Abdelkader Chercham,Hadj Mrizek, etc. El Anka v\u00e9cut \u00e0 Bab ejdid dans la casbah d’Alger. Son penchant pour la musique germa pr\u00e9matur\u00e9ment. Ses premiers pas dans le domaine, il les fit dans le mythique orchestre de Mustapha Nador qu’il cite nomm\u00e9ment et auquel il rend hommage dans sa chanson culte intitul\u00e9e \u00abLahmam\u00bb. Au d\u00e9but, El Anka ne faisait qu’assister aux soir\u00e9es qu’animait Nador.<\/p>\n

Un esprit de perfection intarissable<\/strong>
\nUn jour, une certaine soir\u00e9e du mois de Ramadhan de l’ann\u00e9e 1917, Cheikh Nador remarqua la dext\u00e9rit\u00e9 que mettait El Anka en jouant au \u00abtar\u00bb. On lui donna alors l’occasion de mettre le pied \u00e0 l’\u00e9trier en lui offrant l’opportunit\u00e9 de participer directement aux soir\u00e9es. Plus tard, El Anka, nourri par un esprit de perfection intarissable, d\u00e9cida de suivre des cours de musique. Il le fit pendant des ann\u00e9es. C’est tout naturellement qu’apr\u00e8s le d\u00e9c\u00e8s de Nador, El Anka prit sa place dans l’animation vocale des f\u00eates. Il n’avait que 18 ans, mais un talent et un savoir-faire magiques. El Anka se mit alors imm\u00e9diatement \u00e0 apporter ses propres empreintes, notamment en ce qui concerne l’interpr\u00e9tation des pr\u00e9ludes tout en brisant toutes les chaines conformistes qui caract\u00e9risaient jusque-l\u00e0 ce genre de chant. En effet, El Anka \u00e9tait en train de mettre en place son propre style, le cha\u00e2bi, certes, h\u00e9rit\u00e9 de l’andalou, mais qui allait devenir un tout autre genre, tr\u00e8s pris\u00e9 d’ailleurs. Le succ\u00e8s d’El Anka fut tonitruant, surtout apr\u00e8s l’enregistrement de ses premiers disques et ses premi\u00e8res productions radiophoniques. Il s’imposa de mani\u00e8re spectaculaire.<\/p>\n

Des capacit\u00e9s vocales uniques<\/strong>
\nSes fans le v\u00e9n\u00e9raient et l’adulaient d’une mani\u00e8re impressionnante. En plus de ses capacit\u00e9s vocales et interpr\u00e9tatives dont il \u00e9tait le seul \u00e0 d\u00e9tenir les rudiments, El Anka a os\u00e9 revoir de fond en comble l’orchestration en y introduisant de nouveaux instruments comme le banjo, la percussion (derbouka), le piano, etc. Mais la plus grande innovation en la mati\u00e8re reste le mandole. El Anka demanda \u00e0 l’\u00e9poque au c\u00e9l\u00e8bre luthier Jean Bellido de lui fabriquer une demi-mandoline en y apportant des modifications, notamment en ce qui concerne la longueur du manche. C’est ainsi que naquit le mandole devenu l’instrument de pr\u00e9dilection de la majorit\u00e9 des artistes du genre cha\u00e2bi et qu’on retrouve aussi tr\u00e8s largement employ\u00e9 par la majorit\u00e9 des grands chanteurs kabyles. En Anka avait un flair incroyable dans le choix de ses musiciens. Il d\u00e9nicha ainsi le g\u00e9nie du piano Mustapha Skandrani qui devint tout simplement son chef d’orchestre. Comme on peut le constater, El Anka est un tout. Sa r\u00e9ussite artistique, il la doit donc \u00e0 un ensemble de param\u00e8tres intrins\u00e8ques et extrins\u00e8ques. Ceux dont Dieu l’a dot\u00e9 et ceux qu’il s’est lui-m\u00eame forg\u00e9s par le travail inlassable et le d\u00e9sir de perfection qui \u00e9tait une obsession chez lui. C’est la raison pour laquelle son nom s’est toujours confondu avec la chanson cha\u00e2bie. On ne peut jamais parler de l’un sans l’autre.<\/p>\n

Aomar Mohellebi<\/p>\n

lexpression.dz<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

En plus d’avoir \u00e9t\u00e9 le fondateur d’un tout nouveau style musical qui allait \u00e9branler la chanson alg\u00e9rienne de fort belle mani\u00e8re, El…<\/p>\n","protected":false},"author":61,"featured_media":37560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[32,34,42],"tags":[],"class_list":["post-37559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-algerie","category-art-fr","category-histoire-et-patrimoine"],"yoast_head":"\nIl nous a quitt\u00e9s en novembre 1978 El Anka: l'immortel Cardinal - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/il-nous-a-quittes-en-novembre-1978-el-anka-limmortel-cardinal\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Il nous a quitt\u00e9s en novembre 1978 El Anka: l'immortel Cardinal - 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