{"id":39129,"date":"2021-12-12T11:00:00","date_gmt":"2021-12-12T11:00:00","guid":{"rendered":"https:\/\/jazairhope.org\/?p=39129"},"modified":"2021-12-12T11:03:12","modified_gmt":"2021-12-12T11:03:12","slug":"lhistoire-vraie-dheliopolis-candidat-algerien-aux-oscars-la-realite-etait-bien-plus-violente-traduction-en-fr","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/lhistoire-vraie-dheliopolis-candidat-algerien-aux-oscars-la-realite-etait-bien-plus-violente-traduction-en-fr\/","title":{"rendered":"L’histoire vraie d’H\u00e9liopolis, candidat alg\u00e9rien aux Oscars : “La r\u00e9alit\u00e9 \u00e9tait bien plus violente”. (traduction en fr.)"},"content":{"rendered":"

L’histoire vraie d’H\u00e9liopolis, candidat alg\u00e9rien aux Oscars : “La r\u00e9alit\u00e9 \u00e9tait bien plus violente”. <\/b><\/span><\/p>\n

Par Hope Jazair 9 d\u00e9c., 2021<\/span><\/p>\n

Traduit de l\u2019anglais<\/span><\/p>\n

Dans une interview accord\u00e9e \u00e0 Screen dans le cadre de notre s\u00e9rie de projections FYC, Dja\u00e2far Gacem, le r\u00e9alisateur alg\u00e9rien d’H\u00e9liopolis, explique comment il est pass\u00e9 de la r\u00e9alisation de feuilletons t\u00e9l\u00e9vis\u00e9s \u00e0 celle d’un film sur l’implication de la France dans le nettoyage ethnique en Alg\u00e9rie \u00e0 la fin de la guerre mondiale.\u00a0H\u00e9liopolis est aujourd’hui l’entr\u00e9e du pays pour l’Oscar du meilleur film international.<\/p>\n

Regardez l’interview ci-dessus, qui a \u00e9t\u00e9 anim\u00e9e par Stuart Kemp.<\/b><\/i><\/span><\/p>\n

M. Gacem reconna\u00eet que la r\u00e9alisation d’un film traitant du g\u00e9nocide des musulmans perp\u00e9tr\u00e9 par les Fran\u00e7ais dans les ann\u00e9es qui ont suivi la fin de la Seconde Guerre mondiale – actions qui allaient alimenter la qu\u00eate d’ind\u00e9pendance de l’Alg\u00e9rie \u00e0 l’\u00e9gard de sa ma\u00eetresse coloniale – repr\u00e9sente un grand changement par rapport \u00e0 sa carri\u00e8re florissante de r\u00e9alisateur et de producteur de s\u00e9ries dramatiques populaires en Alg\u00e9rie.<\/p>\n

Mais c’est une histoire que Gacem \u00e9tait d\u00e9termin\u00e9 \u00e0 raconter.\u00a0H\u00e9liopolis se d\u00e9roule dans le village alg\u00e9rien du m\u00eame nom et se concentre sur une famille qui vit entre les valeurs musulmanes et occidentales, la domination coloniale et le r\u00eave de la voir jouer un r\u00f4le important dans l'”Alg\u00e9rie fran\u00e7aise”. Lorsque la Seconde Guerre mondiale \u00e9clate, cet \u00e9quilibre d\u00e9licat laisse place \u00e0 une nouvelle vision d’une Alg\u00e9rie plus compliqu\u00e9e.<\/p>\n

SOURCE : HEWES PICTURES<\/span><\/p>\n

HELIOPOLIS<\/b><\/p>\n

“Pour moi, Heliopolis, c’\u00e9tait comme \u00eatre \u00e0 l’\u00e9cole”, explique le cin\u00e9aste. “J’ai beaucoup appris en le r\u00e9alisant. Le plan \u00e9tait de faire en sorte que chaque sc\u00e8ne du film raconte une histoire.”<\/p>\n

Il a \u00e9t\u00e9 confront\u00e9 \u00e0 une s\u00e9rie de d\u00e9fis et d’obstacles pendant le processus de production. Le budget de \u00e9tait serr\u00e9 et l’\u00e9tirer \u00e9tait un d\u00e9fi constant. “Il n’y a pas beaucoup de d\u00e9cors en Alg\u00e9rie. Nous avons d\u00fb construire des reconstitutions de l’architecture coloniale. Pour ce qui est des aspects militaires du film, j’avais acc\u00e8s \u00e0 deux jeeps et \u00e0 des avions, mais ils dataient des ann\u00e9es 60, alors j’ai d\u00fb tricher un peu”, sourit-il.<\/p>\n

Au d\u00e9part, Gacem pensait que le casting des personnages fran\u00e7ais serait difficile. “J’avais peur que les acteurs fran\u00e7ais ne veuillent pas faire partie du film, sachant de quoi il s’agit”, explique Gacem. “Mais lorsque je faisais le casting, il y en avait beaucoup qui voulaient participer et qui \u00e9taient enthousiastes. C’est une partie de l’histoire qu’ils ne connaissaient pas et une fois qu’ils l’ont su, ils \u00e9taient sensibles au sujet et pr\u00eats \u00e0 jouer un r\u00f4le.”<\/p>\n

Le titre H\u00e9liopolis vient du nom d’un petit village o\u00f9 des milliers d’Alg\u00e9riens ont \u00e9t\u00e9 massacr\u00e9s puis incin\u00e9r\u00e9s dans des fours \u00e0 chaux. “Pendant le film, je voulais \u00eatre neutre, je ne voulais pas que le film soit un jugement. La r\u00e9alit\u00e9 \u00e9tait beaucoup plus violente que la fiction que j’ai montr\u00e9e dans ce film. Je voulais que le public occidental le sache et l’accepte sans remuer le couteau dans la plaie.”<\/p>\n

Le long m\u00e9trage de Gacem a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour la deuxi\u00e8me fois pour repr\u00e9senter l’Alg\u00e9rie, apr\u00e8s avoir \u00e9t\u00e9 soumis mais ensuite retir\u00e9 par le comit\u00e9 alg\u00e9rien des Oscars l’ann\u00e9e derni\u00e8re, en raison de la pand\u00e9mie de Covid-19 qui l’emp\u00eachait d’\u00eatre projet\u00e9.<\/p>\n

Le titre faisait partie du programme de projection des prix FYC 2021-22 de Screen.<\/p>\n

Source : https:\/\/www.screendaily.com\/sponsored-content\/the-true-story-behind-algeria-oscar-entry-heliopolis-the-reality-was-much-more-violent\/5165821.article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L’histoire vraie d’H\u00e9liopolis, candidat alg\u00e9rien aux Oscars : “La r\u00e9alit\u00e9 \u00e9tait bien plus violente”. Par Hope Jazair 9 d\u00e9c., 2021 Traduit de…<\/p>\n","protected":false},"author":1,"featured_media":39149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[32,34,42],"tags":[],"class_list":["post-39129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-algerie","category-art-fr","category-histoire-et-patrimoine"],"yoast_head":"\nL'histoire vraie d'H\u00e9liopolis, candidat alg\u00e9rien aux Oscars : "La r\u00e9alit\u00e9 \u00e9tait bien plus violente". 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