{"id":39590,"date":"2021-12-26T09:00:40","date_gmt":"2021-12-26T09:00:40","guid":{"rendered":"https:\/\/jazairhope.org\/?p=39590"},"modified":"2021-12-25T21:48:23","modified_gmt":"2021-12-25T21:48:23","slug":"la-calligraphie-arabe-patrimoine-immateriel-de-lhumanite-au-nom-de-16-pays","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/la-calligraphie-arabe-patrimoine-immateriel-de-lhumanite-au-nom-de-16-pays\/","title":{"rendered":"LA CALLIGRAPHIE ARABE PATRIMOINE IMMAT\u00c9RIEL DE L’HUMANIT\u00c9 AU NOM DE 16 PAYS"},"content":{"rendered":"

DUBAI – L’Unesco a int\u00e9gr\u00e9 mardi “la calligraphie arabe et les connaissances comp\u00e9tences et pratiques” qui y sont li\u00e9s \u00e0 sa liste repr\u00e9sentative du patrimoine culturel immat\u00e9riel de l’humanit\u00e9, un statut d\u00e9fendu par seize pays dont l’Alg\u00e9rie, permettant de pr\u00e9server cette tr\u00e8s ancienne pratique artistique largement r\u00e9pandue dans le monde arabo-musulman, annonce l’agence onusienne.<\/strong><\/p>\n

La candidature multinationale a \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 l’Organisation de l’ONU pour l’\u00e9ducation, la science et la culture (Unesco), au nom de, outre l’Alg\u00e9rie, l’Arabie Saoudite, Bahre\u00efn, Egypte, Iraq, Jordanie, Kowe\u00eft, Liban, Mauritanie, Maroc, Oman, Palestine, Soudan, Tunisie, Emirats Arabes Unis et Y\u00e9men.<\/p>\n

“La calligraphie arabe est la pratique artistique qui consiste \u00e0 \u00e9crire \u00e0 la main l’\u00e9criture arabe de mani\u00e8re fluide afin d’exprimer l’harmonie, la gr\u00e2ce et la beaut\u00e9”, a d\u00e9crit l’agence onusienne.<\/em><\/strong><\/p><\/blockquote>\n

Dans la proposition de classement, le dossier comporte la multitude de styles de calligraphie dont les plus courants sont le Koufi, le Reqaa, le Naskhi, le Thukluth, le Diwani et le Maghr\u00e9bi, et \u00e9voque \u00e9galement le “Calligrafitti” une expression artistique apparue r\u00e9cemment et introduisant la calligraphie dans des oeuvres artistiques.<\/p>\n

Abordant les efforts de pr\u00e9servation de cet \u00e9l\u00e9ment, les pays soumissionnaires citent les diff\u00e9rents mus\u00e9es d\u00e9di\u00e9s \u00e0 la calligraphie \u00e0 l’instar du Mus\u00e9e de l’enluminure, de la miniature et de la calligraphie Mustapha-Pacha \u00e0 Alger, le mus\u00e9e \u00e9gyptien de la calligraphie arabe, ou encore le Mus\u00e9e d’art islamique de Kairouan en Tunisie.<\/p>\n

Le dossier de classement propose \u00e9galement des mesures de transmission comme l’int\u00e9gration de la calligraphie arabe aux programmes scolaires et universitaire, l’\u00e9largissement des possibilit\u00e9s d’apprentissage, et l’organisation d’\u00e9v\u00e9nements sp\u00e9cialis\u00e9s.<\/p>\n

Les mesures de promotion prises par le pass\u00e9 sont \u00e9galement mises en avant \u00e0 l’instar des aides financi\u00e8res de certains pays comme l’Alg\u00e9rie \u00e0 la promotion locale et r\u00e9gionale de cet art, de l’effort de num\u00e9risation des manuscrits entrepris en Tunisie, ou encore le soutien de la calligraphie comme artisanat de d\u00e9veloppement durable en Palestine.<\/em><\/strong><\/p><\/blockquote>\n

Le patrimoine culturel immat\u00e9riel, ou “patrimoine vivant”, est “un h\u00e9ritage de nos anc\u00eatres que nous transmettons \u00e0 nos descendants”, d\u00e9finit l’Unesco. Il comprend “les traditions orales, les arts du spectacle, les pratiques sociales, les rituels et les \u00e9v\u00e9nements festifs”.<\/p>\n

“Pour \u00eatre d\u00e9finie comme un patrimoine culturel immat\u00e9riel, une pratique culturelle doit \u00eatre dynamique… Elle doit avoir un sens dans la vie des gens”, selon Tim Curtis, le secr\u00e9taire de la convention de l’Unesco sur le sujet, adopt\u00e9e en 2003.<\/p>\n

FC-DZ<\/strong><\/p>\n

Source\u00a0: APS<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

DUBAI – L’Unesco a int\u00e9gr\u00e9 mardi “la calligraphie arabe et les connaissances comp\u00e9tences et pratiques” qui y sont li\u00e9s \u00e0 sa liste…<\/p>\n","protected":false},"author":1,"featured_media":39592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[34,42],"tags":[],"class_list":["post-39590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fr","category-histoire-et-patrimoine"],"yoast_head":"\nLA CALLIGRAPHIE ARABE PATRIMOINE IMMAT\u00c9RIEL DE L'HUMANIT\u00c9 AU NOM DE 16 PAYS - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/la-calligraphie-arabe-patrimoine-immateriel-de-lhumanite-au-nom-de-16-pays\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA CALLIGRAPHIE ARABE PATRIMOINE IMMAT\u00c9RIEL DE L'HUMANIT\u00c9 AU NOM DE 16 PAYS - 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