{"id":5572,"date":"2020-11-26T21:24:17","date_gmt":"2020-11-27T02:24:17","guid":{"rendered":"https:\/\/jazairhope.org\/?p=5572"},"modified":"2020-11-26T21:24:17","modified_gmt":"2020-11-27T02:24:17","slug":"aux-origines-du-cinema-algerien","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/aux-origines-du-cinema-algerien\/","title":{"rendered":"Aux origines du cin\u00e9ma alg\u00e9rien"},"content":{"rendered":"

Source\u00a0 The Casbah Post 5 ao\u00fbt 2016<\/p>\n

Si 1962 marqua les d\u00e9buts de l\u2019Alg\u00e9rie ind\u00e9pendante, cette date fut \u00e9galement le point de d\u00e9part d\u2019un cin\u00e9ma local sous impulsion \u00e9tatique. Il \u00e9mergea en tant que figure de proue du 7\u00e8me art dit tiers-mondiste post-colonial,\u00a0pour devenir\u00a0l\u2019un des plus prolifiques du monde arabe.<\/p>\n

Des superproductions narrant le joug colonialiste<\/strong><\/h4>\n
<\/figure>\n
Le vent des Aures (1966) retrace le parcours d\u2019une m\u00e8re \u00e0 la recherche de son fils rafl\u00e9 par l\u2019arm\u00e9e fran\u00e7aise et incarc\u00e9r\u00e9 depuis plusieurs semaines dans un camp.<\/span><\/figure>\n

Pendant les ann\u00e9es 1960 et 1970, la lutte anticoloniale est le th\u00e8me principal des productions alg\u00e9riennes comme l\u2019illustrent des films tels que le\u00a0Vent des Aur\u00e8s<\/em>\u00a0ou les\u00a0Chroniques des ann\u00e9es de braise<\/em>\u00a0de Mohammed Lakhdar-Hamina. Au festival international de Canes, ils obtiennent respectivement le Prix de la premi\u00e8re oeuvre en 1967 et la Palme d\u2019or en 1975.<\/p>\n

L\u2019industrie du cin\u00e9ma\u00a0s\u2019essaie \u00e9galement aux\u00a0coproductions, notamment avec le r\u00e9alisateur italien Gillo Pontecorvo pour\u00a0La bataille d\u2019Alg<\/em>er, nomin\u00e9 aux Oscars et qui re\u00e7oit en 1967\u00a0le Lion d\u2019or \u00e0 la Mostra de Venise; ou encore avec le r\u00e9alisateur franco-grec Costa-Gavras pour le film\u00a0Z,\u00a0<\/em>qui\u00a0obtient l\u2019Oscar du meilleur film en langue \u00e9trang\u00e8re ainsi que\u00a0le Golden globe du meilleur film \u00e9tranger en 1969.<\/p>\n

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La bataille d\u2019Alger (1966) est une reconstitution de la bataille d\u2019Alger de 1957. L\u2019audience suit \u00e0 travers l\u2019histoire d\u2019Ali La Pointe la lutte pour le contr\u00f4le du quartier de la Casbah.<\/figcaption><\/figure>\n
\n
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\"\"<\/a><\/div>
Z (1969) est une adaptation cin\u00e9matographique du roman \u00e9ponyme de Vassilis Vassilikos \u00e9crit \u00e0 la suite de l\u2019assassinat du d\u00e9put\u00e9 grec Grig\u00f3ris Lambr\u00e1kis.<\/figcaption><\/figure>\n<\/div>\n

D\u00e8s le d\u00e9but des ann\u00e9es 1970,\u00a0plusieurs\u00a0productions alg\u00e9riennes abordent\u00a0toutefois les th\u00e9matiques quotidiennes entourant la soci\u00e9t\u00e9 de l\u2019apr\u00e8s ind\u00e9pendance. C\u2019est le cas notamment\u00a0de Merzak Allouache, qui dresse le portrait de la jeunesse alg\u00e9rienne en 1976 dans la com\u00e9die\u00a0Omar Gatlato,\u00a0<\/em>laur\u00e9at du Prix d\u2019argent du 10\u00e8me\u00a0<\/sup>Festival international du film de Moscou, ou encore de Moussa Haddad qui signe en 1973\u00a0Les vacances de l\u2019inspecteur Tahar,\u00a0<\/em>qui deviendra une r\u00e9f\u00e9rence en mati\u00e8re humoristique nationale.<\/p>\n

\"Embl\u00e8me
Embl\u00e8me d\u2019une g\u00e9n\u00e9ration, Omar Gatlato (1977) narre le quotidien de la jeunesse alg\u00e9rienne.<\/figcaption><\/figure>\n

L\u2019impact de la\u00a0d\u00e9cennie noire<\/strong><\/h4>\n
Bab El Oued City (1994) relate l\u2019impact de la d\u00e9cennie noire et du terrorisme sur la soci\u00e9t\u00e9 alg\u00e9rienne.<\/figcaption><\/figure>\n

La crise \u00e9conomique des ann\u00e9es 1980 eut pour effet des politiques r\u00e9tr\u00e9cissant la part des fonds allou\u00e9s \u00e0 la culture et\u00a0privatisant le secteur. La\u00a0situation s\u2019aggrava \u00e9galement\u00a0suite \u00e0 la\u00a0d\u00e9cennie de violence\u00a0des ann\u00e9es 1990 ciblant les acteurs phares de la sph\u00e8re culturelle.<\/p>\n

Cette p\u00e9riode difficile est marqu\u00e9e\u00a0cependant par quelques succ\u00e8s en derja comme les films\u00a0Carnaval fi Dachra<\/em>\u00a0de Mohamed Oukassi ou encore\u00a0Bab El-Oued City\u00a0<\/em>de Merzak Allouache, laur\u00e9at du prix de la\u00a0F\u00e9d\u00e9ration Internationale de la Presse Cin\u00e9matographique. En tamazight, les films\u00a0Machaho,<\/em>\u00a0La Montagne de Baya\u00a0<\/em>et\u00a0La colline\u00a0<\/em>oubli\u00e9e voient\u00a0le jour.
\n<\/em><\/p>\n

Il faut toutefois attendre la stabilisation du pays pendant les\u00a0ann\u00e9es 2000 pour assister \u00e0 la\u00a0renaissance\u00a0du cin\u00e9ma alg\u00e9rien\u2026<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Source\u00a0 The Casbah Post 5 ao\u00fbt 2016 Si 1962 marqua les d\u00e9buts de l\u2019Alg\u00e9rie ind\u00e9pendante, cette date fut \u00e9galement le point de…<\/p>\n","protected":false},"author":70,"featured_media":5582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-5572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-fr"],"yoast_head":"\nAux origines du cin\u00e9ma alg\u00e9rien - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/aux-origines-du-cinema-algerien\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aux origines du cin\u00e9ma alg\u00e9rien - 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