{"id":65197,"date":"2022-12-12T14:04:25","date_gmt":"2022-12-12T13:04:25","guid":{"rendered":"https:\/\/jazairhope.org\/?p=65197"},"modified":"2022-12-12T14:04:25","modified_gmt":"2022-12-12T13:04:25","slug":"les-chants-de-timimoune","status":"publish","type":"post","link":"https:\/\/jazairhope.org\/fr\/les-chants-de-timimoune\/","title":{"rendered":"Les Chants De Timimoune"},"content":{"rendered":"

Gourara, cette r\u00e9gion qui englobe la da\u00efra de Timimoun connue sous le nom de l\u2019oasis rouge offre un paysage hallucinant triptyque existentiel. C\u2019est un d\u00e9sert o\u00f9 se conjuguent les hommes et leur histoire, la terre. Cette terre si\u00e8ge de guerres et de d\u00e9fis permanents, o\u00f9 la lutte est quasi permanente afin d\u2019assurer, gr\u00e2ce aux cultures, une subsistance quotidienne. C\u2019est dans cette partie de l\u2019Alg\u00e9rie profonde du Gourara que se manifestent les chants d\u2019une singuli\u00e8re d\u00e9licatesse, de Ahellil.<\/span><\/p>\n

Son apparition<\/strong><\/span>
\nOn ignore exactement l\u2019\u00e9poque, o\u00f9 ce chant fit son apparition ; cependant, certains manuscrits rel\u00e8vent sa trace \u00e0 partir du XIVe ou XVe si\u00e8cle. Cette forme de chant qui se traduit par plusieurs fa\u00e7ons \u00e0 la fois po\u00e9tique, musicale et chor\u00e9graphique, \u00e9tablit un \u00e9quilibre entre les difficult\u00e9s d\u2019une dure existence.<\/span><\/p>\n

Chant sacr\u00e9\u00a0du Gourara<\/strong><\/span>
\nC\u2019est l\u2019expression artistique la plus r\u00e9pandue, Ahellil proviendrait probablement, selon certaines sources, du mot arabe \u2018tahlil\u2019. Chant\u00e9 en dialecte z\u00e9n\u00e8te il demeure le chant sacr\u00e9 du Gourara qu\u2019on retrouve pratiquement dans toutes les c\u00e9r\u00e9monies ; il est tr\u00e8s appr\u00e9ci\u00e9 et tr\u00e8s convoit\u00e9 dans tout le territoire national et m\u00eame au-del\u00e0. Il est g\u00e9n\u00e9ralement organis\u00e9 la nuit, le jour \u00e9tant consacr\u00e9 aux travaux des champs. Le chant dominant relate des th\u00e8mes religieux, dont le contenu est essentiellement focalis\u00e9 sur les louanges et les supplications du proph\u00e8te et aux saints locaux et autres .<\/span><\/p>\n

Comment est-il chant\u00e9 ?<\/strong><\/span>
\nLes participants forment un cercle, \u00e9paule contre \u00e9paule, reprennent en ch\u0153ur des strophes, en donnant la r\u00e9plique au chanteur soliste ou \u2018Abechnew\u2019 personnage central autour duquel convergent tous les regards et les chanteurs, car il n\u2019a pas le droit \u00e0 l\u2019erreur, ce qui risquerait d\u2019engendrer un conflit au sein des tribus et confr\u00e9ries. Les vers ne sont pas r\u00e9cit\u00e9s ou psalmodi\u00e9s, ils sont chant\u00e9s en glorifiant Dieu et son proph\u00e8te et parfois de saints personnages comme Sidi-Abdekader Djillali qui v\u00e9cut, pour le pr\u00e9ciser, au XIIe si\u00e8cle, connu comme \u00e9tant le Saint-patron de la ville de Baghdad et fondateur de la plus ancienne des confr\u00e9ries, la Quadirya. Des po\u00e8mes pan\u00e9gyriques font \u00e9galement partie du r\u00e9cita<\/span><\/p>\n

l .\"Ahellil<\/span><\/p>\n

Ahellil, chant exclusif du Gourara<\/strong><\/span>
\nOn ne retrouve ce chant que dans cette r\u00e9gion de Timimoun, baptis\u00e9e, l\u2019oasis rouge, \u00e0 cause de la couleur utilis\u00e9e pour la fabrication du pis\u00e9 (toub). Cette ville doit son nom \u00e0 son fondateur Mimoun, un berb\u00e8re originaire du ksar de \u2018Tibayaouine\u2019. Le pr\u00e9fixe rajout\u00e9 \u2018tin\u2019 indique l\u2019appartenance qui nous entra\u00eene \u00e0 comprendre que Timimoun \u00e9tant la ville de Mimoun. Alors que Tigourarine qui donnera plus tard Gourara \u2018monticules.<\/span><\/p>\n

Chants profanes, chants sacr\u00e9s<\/strong><\/span>
\nCe chant appartenait, dans sa forme primitive \u00e0 une vari\u00e9t\u00e9 de chants profanes li\u00e9s \u00e0 l\u2019\u00e9rotisme et \u00e0 la beaut\u00e9 de la femme. C\u2019est avec le d\u00e9but de l\u2019islamisation de la r\u00e9gion en l\u2019an 76 de l\u2019h\u00e9gire que les zaouia ont contribu\u00e9 \u00e0 l\u2019apprentissage et \u00e0 la diffusion de l\u2019islam. La forme la plus ancienne de Ahellil avant l\u2019islamisation se nommait \u2018izelouanes\u2019 ; elle \u00e9tait c\u00e9l\u00e9br\u00e9e en groupes mixtes ; n\u00e9anmoins en public, seuls ont le droit d\u2019y participer.\"Ahellil<\/span><\/p>\n

Ahellil au service de l\u2019islam<\/strong><\/span>
\nAu d\u00e9but de l\u2019islamisation du Touat (r\u00e9gion d\u2019Adrar) et Gourara (r\u00e9gion de Timimoun), les missionnaires musulmans ont saisi l\u2019importance de ces manifestations publiques et la foule qu\u2019elles attirent afin d\u2019introduire d\u2019une mani\u00e8re progressive les paroles divines, ainsi que des notions religieuses qui apportaient les corrections n\u00e9cessaires \u00e0 celles emprunt\u00e9es auparavant .<\/span>
\nOn raconte qu\u2019un saint local du nom de Sidi-Moussa avait une fille qui se pr\u00e9nommait \u201cLalla Daima\u201d, qui, pour ne point sentir ni la fatigue ni les heures qui s\u2019\u00e9grenaient fredonnait des airs, tout en actionnant la meule de grains. Son p\u00e8re rempla\u00e7a ces airs par des paroles religieuses et d\u2019une pierre deux coups, moudre le grain et apprendre les pr\u00e9ceptes de l\u2019islam.\"F\u00eate<\/span><\/p>\n

Propagation du chant<\/strong><\/span>
\nC\u2019est pendant les ziarate, sorte de rassemblement collectif, o\u00f9 l\u2019on c\u00e9l\u00e8bre Dieu, son proph\u00e8te et les saints locaux, que le chant Ahellil prend de l\u2019ampleur, dont voici un petit extrait :<\/span>
\nSeigneur, bien-aim\u00e9, notre Ma\u00eetre<\/span>
\nTa g\u00e9n\u00e9rosit\u00e9 jamais ne fait d\u00e9faut, jette tes yeux sur moi,<\/span>
\nRegarde-moi, Ma\u00eetre, \u00e0 qui rien n\u2019\u00e9chappe !<\/span>
\nLes principales r\u00e9gions o\u00f9 se sont d\u00e9velopp\u00e9s ces chants se r\u00e9partissent comme suit: Timimoun, Deldoul, Aougrout, Ouled-A\u00efssa, Ajdir, Talmine.<\/span>
\nCes chants \u00e9voquaient aussi l\u2019histoire tourment\u00e9e de ces contr\u00e9es ravag\u00e9es \u00e0 l\u2019\u00e9poque par la famine, les \u00e9pid\u00e9mies et les guerres tribales.<\/span><\/p>\n

D\u00e9roulement du chant<\/strong><\/span>
\nC\u2019est le flutiste qui donne le signal de d\u00e9part, suivi du guenbri pour trouver l\u2019accord \u00e0 retenir en vue de lancer le chant. Ensuite, le soliste, \u00e0 la voix merveilleuse tr\u00e8s fine, assure la cadence, une cadence rythm\u00e9e par des claquements de mains qui apportent r\u00e9sonance, harmonie, douceur et m\u00e9lancolie..<\/span><\/p>\n

\"L'Ahellil<\/span><\/p>\n

Un vent nouveau souffle et p\u00e9n\u00e8tre les coins les plus recul\u00e9s du Grand Sud. Cette mesure concr\u00e8te qui permet de conserver ces chants a accueilli un \u00e9cho favorable au vu de ce qu\u2019ils repr\u00e9sentent, un v\u00e9ritable tr\u00e9sor inestimable<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Gourara, cette r\u00e9gion qui englobe la da\u00efra de Timimoun connue sous le nom de l\u2019oasis rouge offre un paysage hallucinant triptyque existentiel.…<\/p>\n","protected":false},"author":58,"featured_media":65200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[42,53],"tags":[],"class_list":["post-65197","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-histoire-et-patrimoine","category-le-sahara-algerien","post_format-post-format-video"],"yoast_head":"\nLes Chants De Timimoune - AAH.JZR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazairhope.org\/fr\/les-chants-de-timimoune\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les Chants De Timimoune - 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